It’s a controversial issue for sure and at the risk of sounding like one of these music snobs that you always hear about, I am going to raise the point anyway. You could consider covers and tributes as the mass entertainment of the live gigging circuit and original music as the way to ensure that things keep moving forward. Both are required. The former largely keeps venues and music pubs in business these days, the latter feeds into the wider music system and bigger, further flung venues to keep musical evolution a going concern. I only mention this because this week I have been unable to find many original gigs to fill this column and that does beg the question that without that input of new creativity what does the future look like? Is new music taking place outside the traditional live venue circuit? Are we locked into a rose-tinted era of comfort and familiarity? Where will new music come from if not the small, grassroots venues? Enough speculation, on to business.
Blues is on the menu at The Beehive tonight as Built For Comfort offer up the sound of traditional Chicago blues with a few detours through the Memphis and New Orleans scene, expect sultry guitars, organ flourishes (steady) and some solid grooving music. Also following a traditional route but this time down an English folk pathway Splat The Rat take rustic songs from the days of yore and update them for the modern audience at The Victoria.
The one totally original show I could find this week takes place at The Tuppenny and features the welcome return of Phil Cooper (pictured) as he promotes his most excellent and highly recommended new album Thoughts and Observations. He blends the likes of Crowded House and David Gray’s deft pop through his own enlightening songs. Also on the bill is Sarah C. Ryan and her own take on folk and roots infused guitar pop.
Friday sees two helpings of old-school rock for your enjoyment. Firstly at The Victoria Rorke’s Drift and Black Rose line up a set of iconic numbers from the halcyon days of the genre delivered with all the power and the glory of those original bands. Those of a less nervous disposition might wish to head over to The Swiss Chalet for a slice of The Chaos Brothers. They aim to “play the Three Chords of Freedom to an unsuspecting and largely uncaring world” but the reality is that they generally play punk, rock, glam and metal to a rowdy and drunken gathering.
If something smoother and more considered is required then The Soul Man at The Grove’s Company Inn is the gig for you, especially if the golden age of soul, Wilson Pickett, Sam Cooke, The Drifters and the like is your cup of honeyed sonic tea. The Ultimate Band bring the wide appeal of the function band and a diverse and infectious mix of music to The Queen’s Tap whilst Monkey Dolls at The Castle play songs which you probably know but are less likely to hear from your average cover band.
Nuttyness pay tribute to Camden Town’s finest skanking, 2-tone revivalists, Madness, at The Victoria on Saturday so expect a night of ska-pop fun and frolics and all the hits and iconic songs that you know and love. Also playing some groovesome and accessible tunes is Felix and the Funk who will be filling the Haydon Wick Club with all the iconic sonic moments from funk (natch) pop, soul, reggae, dance and disco. Rugs will be cut, wigs will be flipped and dance floors filled.
Funk and rock pair up at The Queen’s Tap as Patsy Gamble and Wishbone Ash’s Muddy Manninen mix up groove, blues, funk, rock and soul into covers and originals at The Queen’s Tap as they lead Hipkiss through their musical moves, Penfold break out the party tunes at The Castle and Stripped take things down a notch or two with acoustic renditions of all your favourites at The Manor.
The Coleview Community Centre starts two days of music with Locarno Beat’s 60’s hits package followed by Get Carter’s pop rock and indie covers on Sunday. Also on Sunday The Revolvers will be bringing a touch of ska to The Duke of Edinburgh.