Sounds Around Town: 28th March – 3rd April

Library - 185The world of music was stunned this week after the shock announcement that Girls Aloud have split up the day after their tenth anniversary tour ended (almost as if it had been planned that way). And worse than that they have fallen out with Nadine Coyle who publicly tweeted that the split was nothing to do with her, giving rise to speculation of rifts and backstabbing in their ranks. Surely not, they seem so mild mannered and balanced and not at all hungry for media attention. The group who rose to fame after a successful punch up with a washroom attendant have left a string of timeless hit, the name of which escapes me at the moment. I for one hope that the girls make it up, as the thought of them being angry at one another is too much for me to bear.

Anyway, from the ridiculous to the sublime, as The Victoria tonight has a female bias in its running order. You will be able to catch a rare live outing by Matilda, a wonderful cocktail of country, classical and dreamy lounge jazz, an even rarer solo outing by Emily Sykes who does a neat line is seductive acoustica and Emily and the Dogs who I must warn you contains a hairy, all male rhythm section, but they do scrub up nicely.

Out at Riffs one of the truly unique musical visitors to these shores, Bob Log III (pictured), pops over from Tucson, Arizona to subject the place to a lesson in trash blues, helmets, scotch drinking and assorted naughtyness! Another blues offering comes in the more normal form of Bob Bowles at The Rolleston and if you have a hankering for fired up Celtic folk, then head to the Beehive for some high octane shennanighins with Missin’ Rosie.

Friday sees the MECA get on board the music scene with an under 18’s Popcorn and Chocolate Party. Those of a slightly older persuasion, or with chocolate allergies might like to try the following. There are a couple of tributes in town; nineties kids might want to experience a bit of grunge nostalgia with Earl Jam at The Rolleston, those who appreciate the “Man in Black” should walk the line up to The Victoria for Cash, a show that I can’t recommend enough.

Original music can, however,  be found in abundance at Riffs Bar with the fairly odd pairing of Cold In Berlin’s delay drenched, bleak, brooding and animalistic musical shamanism and The Shudders melodic lo-fi indie meets country rock, a tapestry threaded from Crazy Horse, Bright Eyes and Wilco for those weaving enthusiasts out there.

Originality takes a bit of a back seat on Saturday, so you might want to opt for classic rock covers at The Rolleston with Lonesome Crow, though if Burlesque is your thing, then head out to Riffs Bar, with music from Ghost Trail.

Sunday sees the best/worse cover band in history take the stage at The Victoria. Kova Me Badd are local legends who should really know better but if you imagine a live parody of every Now… compilation album ever made, that’s at least a starting point.

Washboards and shakers at the ready at The Rolleston for a bit of skiffle madness and audience participation courtesy of Ode and The Bebops who may once and for all be answering the age old question about the lasting flavour properties of chewing gum left on bedroom furniture. Aiden Moore will be playing a mix of covers and originals at The Sun Inn at Coate Water and the Beehive afternoon session features Jim Reynolds who taps into blues, ragtime, rhythm and blues, music hall and folk. That’s followed by the Soul Box dj’s and a selection of Soul, Tamla and Ska tunes to see the weekend round off with a nice vibe.

Last but not least, the regular Wednesday session at The Running Horse sees none other than Nick Tann return to its hallowed domain. Nick not only does a neat line in slightly jazz edged, acoustic folk but also is a blogosphere hero, podcaster and promoter and as such deserves your support in return. With him this time is Anna Neale, whose songs explore and resonate from such depths as Roman Literature and ancient religious texts through mediums as diverse as gentle ballads, arabesques, frantic acoustica to slow burning anthems. I’d say that ticks all the boxes.

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