I think that it is time for a musical revolution. Who’s with me? Looking at the ever shortening list of live music available to watch in recent weeks, I am increasingly worried by the amount of young, original bands getting their music out to audiences in the form of live shows. Musical change is built on revolutionary acts, from rock ‘n’ roll to punk to hip-hop to grunge to rave and beyond, but it seems to me that we have settled into a complacent groove of late, both on the local scene and the wider world beyond it. Maybe there are revolutionary acts being performed and I just don’t know about it, after all why would you invite an aging hippy to the party to hang around like someone’s dad waiting to give them a lift home. Maybe the revolution has taken new forms and accesses its audience through streaming shows, free downloads and house parties, rather than the more traditional outlets. I don’t need to be invited to the revolution; I just pray that it is taking place somewhere. I lived through a few musical watersheds, it was amazing, everyone else deserves to as well.
So, enough rose-tinted retrospection from me and on with the week ahead. Tonight Songs of Praise at The Victoria brings back into town one of the bands that have proved to be a bit of a success story over the last few years. Black Hats blend a modish, agit-punk drive with infectious hooks and crunching great choruses, imagine The Jam embracing the scope of modern technology and you are in the ballpark. Support comes from Devotion, a great writhing mass of post punk and shoegazy riffs, dream pop visions and the sort of indie music that sounds like it was made floating through space.
Ethereality of another type can be found in the guise of Jenna Witts at The Beehive, an acoustic artist who evokes pop and folk tradition in equal measure and whose maturity in song writing and pin-drop voice will astound you.
Friday brings us the stalwarts of the scene. Firstly The Teddy White Band play The Rolleston, mixing up good time rock ‘n’ roll, blues, swing and boogie from times past all glued together with honey-dripping saxophone. At The Beehive, The Blue Trees head far more down home with a weave of sounds that evoke the quiet bayous, the desert highways and the smell of Mint Julep being served on the porch. Sort of the sound of a Southern States roadhouse meets a Harper Lee novel….Tequila Mockingbird perhaps? Perhaps not!
The Victoria will be playing hosts to “top cover band” Penfold who do a neat line in classic standards both past and present.
As we roll into Saturday the offerings become more tribute and cover driven. The first is catered for at The Victoria with Oasish and Stereotonics doing their bit to ensure Britpop-ery isn’t forgotten and Bad Obsession at The Rolleston pay tribute to some of the less obvious songs of the classic rock and metal genre. One original reprieve comes in the shape of a nice big slab of alt-rock in the shape of Armchair Committee, Base 11 and Boss Cloth at Riffs Bar playing for those awfully nice chaps at Secret Chord Records.
Talk In Code (pictured) has come a long way in recent years. Having left their original “dad Rock” sound behind them. …their words not mine, they are now an of the moment rush of screaming guitars and pulsating synths. In the past Talk In Code used to be written off as the music that your dad might listen too. Now however they are the CD that your sharp-dressed, musically savvy, effortlessly cool, big brother refuses to lend you. Catch them with A Way With Words and Daniel James at The Victoria on Sunday.
Culture Vultures will be interested to know that The Swindon Recital Series at The Art Centre brings the oboe and piano talents of Nicholas Daniel and Paul Turner together to play selected pieces from French composers such as Saint-Saens, Debussy and many others.
Finally, Wednesday brings us to The Roaring Donkey and the acoustic skills of Aidan Moore whose mellow yet genre hopping style will find that he appeals to a wide range of punters. Whilst you are there you really should pick up a copy of his recent album, So Far, So Good, it’s a cracker.