In an effort to keep up with the mainstream side of the music industry I tentatively watched the BRITs last week. I know that I’m far from the target audience but dear me what a disaster. Firstly, how can James Corden, a man who could teach Robbie Williams a thing or two about being smug, be the best presenter available? Not only did he look so far out of his depth, his interviews came across like a petulant college kid talking to inarticulate show-offs against the background chatter of an audience too busy taking “selfies” to pay attention. And why was Ellie Goulding singing backwards…in Finnish? The most edgy thing to happen was Alex Turner dropping the microphone, a feat that twitter users seemed to find on par with Keith Moon blowing up his drum kit (and himself and Pete Townsend) at their US TV debut. How times have changed.
This was, however, balanced by the watching of the BBC folk awards later that night, a genre inhabited by rugged, real ale drinking blokey blokes and flame haired Celtic beauties. Throw in Mark Radcliffe hosting, some virtuosic live music and a general feeling of celebration, decorum and mutual support and you actually got to see what an award ceremony should be about.
And if you are looking for something cool as folk, then The Victoria tonight is the place, as Rob Heron and The Tea Pad Orchestra blend the genre with gypsy jazz, Cajun, ragtime and country roots. Support is from the ever popular Missin’ Rosie…heads down, no nonsense, mindless folk music! And if you want a more Euro-centric take on the genre then The John Langan Band (pictured) at The Beehive provides the answer – high energy, extravagant and slightly unhinged acoustic playing of a joyous mix of polka, klezmer and Celtic folk traditions.
If you fancy making your own music then pop along to The Patriots Arms in Chiseldon for an open mic. night hosted by Jimmy and Aidan Moore (no relation.)
Friday delivers more of the tried and tested rather than the boundary pushing but you won’t find a better classic rock cover band around than Bad Obsession who play The Rolleston. Tributes are also on the cards with the music of ZZ Top at The Victoria and Boot Led Zeppelin at Riffs Bar delivering an acoustic take on the legendary band.
If you didn’t catch them at their open mic. earlier in the week and you want more of Moore and Moore (no relation) then they are part of a fundraising evening at The GW on Saturday which also features the soulful acoustica of Benji Clements and the sweet moreish sounds of Remedy. Need I say more?
If high energy music is your preference then catch guitarist Jamie Thyer as he leads his Worried Men through R’n’B standards at The Rolleston on Saturday whilst at The Castle, it’s time to grab your Crombie and pork pie hat for The Nomarks and their ska and reggae originals. You could even combine this with the short walk down to The Beehive where the Shocks of Mighty DJ’s will be spinning similar genres.
The Victoria has Syntronix, a tribute to eighties synth pop and at the other end of the scale it’s all about bringing Pearl Jam back to life Riffs Bar. Support to that comes from a re-union show from Tiryth, a metal band who must have been away from the scene for a decade at least.
Proving that Sunday doesn’t have to be the day of rest, more heavy music is to be had from two South Wales post-hardcore bands When We Were Wolves and Set To Break at The Victoria. Not your thing? Why not head to The White Hart for a slick slice of soul grooves and funky R’n’B with Otis Mack and The Tubby Bluesters maybe after catching the 3am porch blues picking of David Bristow at The Beehive afternoon session.
Baker Streets regular Tuesday jazz offering comes in the form Portuguese guitarist Miguel Martins who delivers a neat line in contemporary playing mixed with a more traditional jazz legacy. For this show the regular quartet is augmented by renowned tenor sax player Brandon Allen.
Final acoustic offerings on Wednesday come in the form of Drew Bryant at The Roaring Donkey and bluesman Ian O’Regan and Darren Hodge at The Crown, the latter who you may also have spotted on the aforementioned BBC folk awards.
Seamlessly full circle or what?