Tomorrow is one of those days that resonate throughout history. On May 8th, 70 years ago, the world woke up to a Europe finally at peace after the ravages of war. Sixteen years before that The St Valentines Day Massacre made world headlines and more latterly, completing the cycle of world shaking deeds, in 1972, Ian “H” Watkins of Steps infamy was born, so it is obviously a date which is tied in with important historical events. Also tomorrow we will wake up to learn the fate of the next five years in the running of this country. But tonight we party. Thankfully, this weekend whether celebrating the result or drowning your sorrows there is no shortage of great sounds to do it to.
Those opting for a bit of a shindig should look no further than The Victoria tonight as Bite The Buffalo bring their “stomping, coffin blues” to town and show just why recent years have seen them play such festivals as SXSW and supports to none other than Robert Plant. Fresh out of the box, 2 piece The Harlers continue to re-connect with dirty blues-rock memories and openers The Johnstown Flood add grunge and warped guitars to the blues template.
At The Wheatsheaf, Darren Hodge deals in a gentler but no less mesmerising take on the same genre; an ear for tradition and some outstanding finger-picking dexterity are the order of the day and he is joined by the loved-up folk harmonies of Ethemia plus the elemental imagery and sounds of Drew Bryant. Sitting between the two, a funky blend of acoustic and gritty blues is Jim Blair who can be found at The Beehive.
And if Thursday had a heavy blues undercurrent, Friday takes a folkier stance. Firstly at The Beehive with Calico Jack (pictured), a band whose distinctive canal boat-folk blends gypsy jive, carnival chaos and shanty shenanigans to create twisted fairy tales and worlds of dark enchantment. For a punkier take on the genre, Mick O’Toole can be found at The Rolleston. Theirs is a howling banshee of a show in the tradition of Flogging Molly or Greenland Whalefishers, so if the idea of a sonic wall of aggressive accordion, mutilating mandolin lines and belligerent banjo forming the front line of a folk-punk onslaught sounds like your cup of cider, then this is the show for you.
At The Victoria, Buswell’s brand of indie-pop meets chamber folk will be providing the venue with sweeping majestic sounds not to mention some logistical headaches as the orchestral wing of this band often pushes the stage set up into double figures. Support comes from the lush dynamics and dark atmospherics of White Lilac and opening the show is the man known as Last Box of Sparklers and his hushed and fleeting, Nordic indie sounds. Incendiary blues-rock classics are delivered with spellbinding dexterity at The Queens Tap courtesy of The Lewis Creaven Band.
As usual, Saturday is the bastion of nostalgia, reminisence and the tried and tested (all of which could actually be names of cover bands themselves) but that doesn’t mean that they rock any less. In fact, out at Riffs Bar, the hardest partying band in town take the stage. Enjoy their set of rock, pop and indie classics, just don’t try matching them drink for drink at the bar afterwards.
Also rocking out like a good ‘un, The Sex Pissed Dolls, pun their way into level 3 to deliver a set of rock, ska and punk standards and at The Brookhouse Farm (moved from The Woodlands Edge) it’s the last chance to catch The Beat Holes before they return home to Italy. Imagine if The Beatles had formed out of the punk melting pot of 1976’s London squat scene and also liked to listen to heavy metal. Intrigued? Check them out, they are brilliant.
Other options are 1000 Planets punk, goth and alternative sounds at The Rolleston, power-pop, mod and soul from Peloton at The Swiss Chalet and vintage classic rock from Mid-Life Crisis at The Queens Tap.
There is just enough room to mention Peter Jagger and his political tinged folk songs at The Beehive on Sunday afternoon and David Marx’s poetic and poignant music at The Roaring Donkey on Wednesday.