Tag Archive: 2 sick monkeys


thumbnail.jpegThere have been some busy weeks when it comes to live music of late and this one has to be the busiest of the lot. I have covered as much as I can below but space being what it is, some gigs are not going to make the cut so please check out the website or page of your favourite band a and venues to fill in some of the gaps. You can’t say that nothing ever happens in this town.(You could but you’d be wrong.)

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30762906_2098286093774535_3079476132299407360_oSo, we have spent weeks waiting for this news to become a reality. We’ve all deliberated, cogitated and digested, and finally we have arrived. Friday night sees the re-opening of The Rolleston. In the first of two nights of music to usher in the new era, Innes Sibun will be taking time out from the European summer festival circuit to bring his new incendiary, electric blues outfit, The Malone Sibun Band (pictured) to play this opening event.

Also putting a bluesy twist on a range of well known classics and pre-loved songs,  all genres from funk to rock to reggae and of course blues itself, The Blind Lemon Blues Band can be found at The Queen’s Tap. If you want something seriously funky then Felix and The Funk, the clue is in the name can be found at Swiss Chalet with a plethora of dance, soul, disco, pop and funk. It looks like serious groove is back on the menu.

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10354096_404715793024462_9220940296262886703_nYou know how people say that no big names ever come to Swindon or if they do they are some pop sensation and play in the cavernous, acoustic hell that is the Oasis? You know how people still go on about that time that (insert generic cover band name) played a half decent version of a Queens of the Stone Age song? You know how most original bands are not as good as cover bands? Well all those arguments get blown out of the water tonight as Avon plays The Victoria. Avon? Yes, Avon. Not only named after a QOTSA song but also featuring their original drummer, who also happened to be the original drummer for Kyuss, the band that spawned them. So options are go and watch a cover band on the basis that you will get to hear songs from your record collection or go and watch a guy who helped put them there. And therein lies the crux of the big debate I guess.

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10600611_722754574474721_1208207470222292011_nGuy Fawkes night is upon us so not only a time for fireworks, partying and cowering pets but also time for those online wits to roll out the old adage about him being “ the last person to enter Parliament with honest intentions”. So if your idea of honest intentions is a religious mercenary being hired by the English aristocracy to commit mass genocide then yes, spot on. So much for the political minds and rhetoric of generation X-box. Right, off the soapbox and into the mosh pit.

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10553415_268441576675504_9081060970114757321_nOkay, he may not be a living legend as such, but he will certainly do until one comes along. Edward Felix Tudor Pole (pictured) may sound like a villain from the first series of Blackadder (the one that never gets the TV re-runs) but has had a long career as an actor and TV presenter. But it was as lead hooligan of the ragged punk gang Tenpole Tudor that he is best known. Tonight at The Victoria you can catch the man himself. Punk was an attitude not a form of music and it is an attitude he still operates with as his swaggering rock and roll, unpredictability, powerful performance and sheer energy will attest to. Support comes from that sweary, lairy punk two-piece, 2 Sick Monkeys.

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10407052_774034392662307_1668943267993678268_nAs regular followers of my scribbling will be more than aware, tribute bands are not really my cup of tea, but there is one aspect to them that I find fascinating. The band’s name. It’s an area that can lend itself to acts of creative genius. After all why call yourself the Real Smiths, when you can be The Iain Duncan Smiths and why be the plain old Bowie Experience when you can be Camp David. It’s an art form in itself. Others that smack of sheer brilliance include J’Amy Winehouse, Motorheadache, Sean Connery’s favourite band Oasish and the total honesty of Kaiser Thief’s (“I just nicked a riot?”) Mentioned in dispatches are – Repeater Gabriel, Husker Don’t, Surely Bassey and vegetarian nu-metallers – Quorn!

And if you are into odd band names then you might be interested in Oui Legionnaires at The Victoria tonight. Odd name, odd music, odd people. Take a dose of angular indie, throw in warped pop melodies and punk energy, pile it all up into a heap and stand on the top. From there you may just be able to catch a glimpse of the genre that the band fall into. Best you just go along and work it out for yourself. Support from punk s Rebel Station and two-piece blues outfit The Harlers makes for a very eclectic bill.

Friday delivers the first of four Songs of Praise shows over the coming week. Staying at The Victoria, a line up of cinematic indie and dream pop vibes courtesy of the welcome return of Wyldest (pictured) a band with its formative roots in Swindon but now making waves on the national circuit. Fans of Warpaint will want to check out the same sort of musical furrows being ploughed by Cat Bear Tree and the night is kicked off by the brilliant White Lilac, a blend of post punk drive and Cocteau Twins like atmospherics.

At the other extreme, The Rolleston plays host to an act that is lewd, crude, “ Life-affirmingly puerile” according to no less than Charlie Brooker, hilarious and offensive in equal measure and it is brilliant. Mr K and The Gang (even the name has to be edited for general consumption) bring the UK tour to Swindon in the company of local drum and bass noise-merchants 2 Sick Monkeys and comedic punk from Mike Gibbons.

But fear not, less challenging options are also available. The Locomotive, for example, has more familiar offerings via funk, blues and soul played in a very improvisational way, old songs with new twists from Chameleon. Syntronix at The GWR are riding the 80’s nostalgia trip, not the one were you are stood in a muddy field watching The Wonder Stuff wearing a Coal Not Dole t-shirt drinking overpriced lager out of a plastic beaker (i.e. mine) but one that sounds more like the Top of The Pops version, synth-pop at it’s finest from Kraftwerk to Depeche Mode, New Order to Ultravox.

The big one for Saturday happens at The Castle with the long awaited return of The Pagan Fringe. There are so many reasons to go to this. It is 25 years since their album Gathering Light was released and you can now pick it up on CD. Proceeds will go to the Swindon-Calais Link Refugee Aid Charity, reason alone to support the gig and buy the CD. Maybe go along as a way of honouring the much missed Steve Carvey, the bands original drummer. On top of all of that go along for great music and to catch up with people you last saw propping up the bar of The Monkey Club and other long forgotten, half-mythical venues.

At The Locomotive, the sad news is that Colour The Atlas have pulled out of the Songs of Praise gig but you can still catch the brilliant Balloon Ascents, a rising Oxford band who mix dreamy wooziness, pop hooks and darker undercurrents.

Tributes are also flooding in, as it were, The Rolleston have The Doors of Perception which ticks the 60’s box, The Victoria has Lizzy and The Banshees, so that’s the late seventies sorted and Riffs Bar has the next decade covered with Hot Rox playing an 80’s set.

The third Songs of Praise offering can be found at The Beehive on Sunday with Case Hardin’s fantastic blend of haunted country meets lo-fi rock and roll and support from The Incredible Disappearing Boy who sound like Wilco writing underground Americana classics for a late night drive along the M4. Two bands about which I just can’t say enough nice things.

Gig four from Swindon’s seemingly busiest promoters is at their usual pitch at The Roaring Donkey on Wednesday with the politically astute Steve Leigh from Kitchen Sink Drama’s and a rare set from Graham Mattingley. Blimey, that’s quite a week.

10407052_774034392662307_1668943267993678268_nAs regular followers of my scribbling will be more than aware, tribute bands are not really my cup of tea, but there is one aspect to them that I find fascinating. The band’s name. It’s an area that can lend itself to acts of creative genius. After all why call yourself the Real Smiths, when you can be The Iain Duncan Smiths and why be the plain old Bowie Experience when you can be Camp David. It’s an art form in itself. Others that smack of sheer brilliance include J’Amy Winehouse, Motorheadache, Sean Connery’s favourite band Oasish and the total honesty of Kaiser Thief’s (“I just nicked a riot?”) Mentioned in dispatches are – Repeater Gabriel, Husker Don’t, Surely Bassey and vegetarian nu-metallers – Quorn!

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1607111_577491689022522_3860118839849066474_nI will apologize in advance for the Shuffle-centric nature of this weeks scribbling but when over 40 music acts line up to play across 3 major venues and a host of additional bars, cafes and public places, it is inevitable that it will take up most of the space. So, The Swindon Shuffle is back for it’s ninth year and it seems only a blink of an eye that I was sat in the Winners Lounge (before it’s Legendary upgrade) on a Thursday night waiting for The Unforeseen to play the first ever slot. Tempus does indeed fugit! So, the first fringe events took place last night but as of today Shuffling begins in earnest.

The Victoria has long been one of the cornerstones of The Shuffle and so it is apt that we begin there. This session is one for those with a penchant for heavier music and is headlined by a band that have had a meteoric rise over the last year or so, A Way With Words. Other alt-rock acts on the bill include All Ears Avow and the dystopian vibes of Ghost of Machines. Between these you can catch the punk onslaught that is 2 Sick Monkeys and something with more of a blues spin from The Harlers.

Baila Coffee and Vinyl has always been a cool place to hang out during the day (where do you think I am writing this?) but now with the addition of a evening drinks license they have become part of Old Town nightlife with craft ales, a well selected wine cellar and quality spirits available and they join in the festival with sets from Matilda (minus drummer Emily who is probably doing headstands on a mountain in Outer Mongolia,) young, groove driven Indie from Polar Front and the captivating and heartfelt songs of Charlie Bath.

The Victoria second contribution comes on Friday, this time with a more eclectic and intriguing bill headed by the drifting ambience and trippy grooves of Colour The Atlas (pictured). Theo Altieri provides some effortlessly cool indie-pop and Super Squarecloud will be doing what ever it is they do – I’ve been writing about their mercurial, genre-hopping music and flagrant disregard for convention for 4 years now and I still haven’t found the adequate words! The early part of the night sees the welcome return of a couple of out-of-towners, Cursor Major who prove once and for all that kookiness is next to godliness and that blend of delicacy and dynamics that is Familiars.

Within easy shuffling distance of that (hence the name) is The Castle and their first session has a bit of a blues edge to it. Although main man Ian Doeser has long been a fixture of the Shuffle as a solo player this is, I believe, the first time that the full Hamsters From Hell have graced the event, so expect the usual sweary, tongue-in-cheek, bawdy humour set to an R’n’B backdrop. And if The Hamsters are a nod to the ghost of blues past, then The Greasy Slicks are very much about the ghost of blues future; slick, incendiary deliveries and killer riffs and acting as a sign post for where the genre is going. Also on the bill are Coasters, a punk vibe injected into Americana but whose songs trade Route 66 for the M4.

Elsewhere, The Locomotive, part of the Shuffle Fringe due to it’s outlying location in relation to the main focus of events, nevertheless plays a blinder by hosting Yves, one of the front runners of the new Indie crop of local bands and at The Rolleston you can catch Beatles tribute The Pre Fab Four.

On Saturday the music starts at midday at The Central Library where various acoustic acts including Neil Mercer and Stuart Marsh can be found playing throughout the afternoon.

Saturday also sees The Beehive, the only venue to have been involved in all nine years, get involved with a folk slant to their bill. Southern Harmony bring their wonderful blend of Celtic, English and Appalachian folk to the party and Ells and The Southern Wild throw in some darker folk vibes. Plummie Racket and Nick Felix will be adding a more singer-songwriter feeling to the evening.

Up the hill at The Castle, the younger set have their moment with Balloon Ascent’s accessible indie-folk creations, the shoegaze and post-punk referencing Sahara Heights building to a night of ska, reggae and infectious dance grooves from SN Dubstation, not a band that you want to miss, believe me. At The Locomotive, The Roughnecks will be blasting out their incendiary R’n”B and old-school rock and roll to entice and astound the Fleet Street crowd.

Non-Shuffle related gigs can also be found at The Victoria with Going Underground, Strictly Dan a tribute to Steely Dan at Riffs Bar, classic rock covers at The Rolleston from Bad Obsession and all your favourite songs from a new line-up Echo at The Swiss Chalet.

Sunday sees The Shuffle round off at its now traditional last day party at The Beehive. A string of solo players, Mel Hughes, Tamsin Quin and Steve Leigh get things underway before Bruce St. Bridges, the socially aware, psychedelic folk-pop of Mr Love and Justice and the sonic pick’n’mix of auralcandy move things up a gear. Last year The Shudders almost destroyed the venue with their final set of the festival and they have been given the task of attempting to do the same this year with another headline slot.

If you want something to help easy you out of the festival, the perfect gentle step back into normality comes at The Roaring Donkey on Wednesday with those dapper jazz aficionados Gilmore ‘n’ Jaz.

John-PeelIt isn’t too much of an exaggeration to say that John Peel shaped contemporary music broadcasting in a way that few others ever did. Through radical programing, a truly eclectic musical taste and by championing bands that would otherwise have remained unknown, he single-handed created the template for music radio, as we know it today. The reason I mention this is that Saturday marks 10 years since his passing and I for one salute you sir. You were a lighthouse in an ocean of music mediocrity. More of that later in the article.


And having mentioned the great man, tonight has a suitable eclectic and musically left of centre feel to it. At Riffs Bar, Lifesigns will be reminding us that progressive rock isn’t the indulgent and retro minded genre that some would have us believe. Quintessentially English soundscapes are constructed from the usual prog. pallet but brought bang up to date with slices of melodic rock and pop and a very accessible nature.


Songs of Praise at The Victoria is by way of an album launch this time, as Port Erin unveil their latest release, Floating Above the City. Taking the experimental, space rock elements of their earlier days and mixing it with the ambient, jazz infused vibes of more recent days has produced an album that is both imaginative and exploratory yet tuneful and, dare I say it, commercially viable. Support comes from the sonorous and somnolent acoustic dreamscapes of Andrew Burke.


The Beehive is the place to be to catch the mercurial mix of underground pop, psychedelia, wit and wisdom of Anton Barbeau.


Acoustic music is high on the menu for Friday. Child of Imber is a duo that mixes delicate acoustica, soaring vocals and thoughtful lyrics and they can be found at Riffs Bar for the regular acoustic session. For a high-energy take on the genre then you should definitely catch Sam Green and The Midnight Heist at The Victoria. Theirs is a blend of blues from the Old South and the more pastoral sounds of an English folk dance and the result is the best freewheeling, roots-rock party you have ever been to. Support comes from psych-pop trio Emperor Yes and the twin guitar dexterity of Bren Haze.


Rock fans also have a lot to shout about. If original music is your preference then Level 3 is the place to be as A Way With Words, DIRTE, In Bloom and Over to You offer a heady mix of alt-rock, punk, metal and grunge, a theme that will be continued by the Reboot club night that follows it. Meanwhile upstairs at The Rolleston, Metalhead will be playing classic rock and metal covers through the ages.


As mentioned in the introduction, Saturday marks the 10 year passing of Our Lord John Peel and in his honour The Victoria have a night dedicated to the man himself with suitably challenging and offbeat acts. There will be fast, furious punk with sweary between song humour delivered in machine gun salvos from 2 Sick Monkeys. The (Legendary?) Chaos Brothers will provide abrasive punk and sleaze rock in the style in which it was originally intended. Coasters are all about the contemporary sound of acoustic music with a punk end drive and Ian Doeser does what he does best, abusing guitar and audience in equal measure. I think John would find it all rather amusing.


But there is another famous John in town as well. John Coghlan is best known as being the drummer with Status Quo and he brings his current band to Riffs Bar. But this is no tribute band but a set that mixes the bands big numbers, lost classics and songs never performed before played in the style of the 70’s heyday by the man who was the bands engine room. If anyone is entitled to reappraise those songs I reckon he is.


There is also a bit of a blast from the past at The Rolleston with The Wirebirds. Although predominantly a blues band they add in rock, west coast psychedelia and even more contemporary sounds and add to that the remarkable vocals of one time Babe Ruth vocalist, Jenny Haan, and you have something pretty special.


Final mentions go to Bob Bowles who plies his trademark blues at The Beehive on Sunday and a rare outing for The Chalice Folk Band who can be found at The Roaring Donkey on Wednesday.