Tag Archive: clay gods


251026_474397722648292_1275993545_nRock fans should be fairly happy this week with a higher than average quota of gigs coming from their favoured genres, but that is not to say that between the louder and more shouty selections there aren’t a few other styles being well represented and at least one iconic act crossing the parish boundary as well.

 

We The Deceiver lay generically midway between Post-Hardcore and Djent (which I have to admit I thought was a small town in Tunisia, but which is actually a gnarly, muted, low-end guitar driven style) so expect their set at The Victoria tonight to be filled with thunderous grooves, intense riffs and bombastic beats. Local support comes in the form of Roads To Nowhere, a similarly uncompromising onslaught of extreme and brutal sounds.

 

As if to balance the extremes of that gig, Keith Thompson plays The Beehive in solo mode. Rootsy, southern fried blues blending effortlessly with more homegrown influences to great effect.

 

Friday at Riffs Bar sees rock on the menu, this time from Clay Gods, a band who weave dark atmospherics, gritty grooves and lyrics equally at home delivering rock standard street sleaze as they are thought-provoking philosophizing. Joining them on the bill is The Dirty Smooth, who write tunes hard enough for the boys to rock out to, but sweet enough for the girls to dance to, and the blues fuelled alt-rock of Four Dead Crows.

 

More solid rocking options can be found at The Rolleston as Hot Flex deliver classic heavy rock and metal covers and the mercurial Bruise make a welcome return to The Beehive. Imagine the song writing sensibilities of Joni Mitchell, the dynamics and production values of Genesis and the epic pop of The Eurythmics and you only start to get a feel for what this amazing duo have to offer.

 

A Songs of Praise occasional Friday show is also to be found at The Victoria where White Lilac headline. They may look familiar, having evolved from Faye Rogers and her band but the sound is a whole quantum leap into new musical territory. The pastoral folksiness has been swapped for chiming guitars, brooding cello, distant crashing percussion, sonorous saxophones and a whole wash of gothic beauty and post punk edginess. It’s a musical transformation that you need to hear…and indeed see, to believe. Joining them is the sweeping dynamic soundscape of Familiars (pictured), a more chilled, piano driven White Lies perhaps and the shoegaze referencing but up to the moment indie of Coco Esq.

 

Saturday sees the icon I mentioned hit the stage as multi-million selling recording artist and award-winning actress, Barbara Dickson plays The Wyvern Theatre.

 

Beans on Toast may be seen to be an icon to some, albeit in a more niche and under-the-counter-culture sort of way. He brings his incisive and hung-over musical take on modern life to The Victoria before heading off to the States to play with Irish punk-folk exiles Flogging Molly. He brings with him someone you will all by now be familiar with (if not why not?) Gaz Brookfield, our very own slice of poor boy makes good and purveyor of charismatic, heartfelt and infectious songs. Ben Wiltshire and Sophie Brown get the night started.

 

Explosive, raucous, boozy, sweary and unpredictable music can be found at The Rolleston as The Hamsters From Hell celebrate their 30th Birthday Bash, probably not what your significant other had in mind as an option for St Valentines Day, but certainly a real test of a relationship. Support comes from 2 Sick Monkeys.

 

The Lazy Sunday Afternoon sessions hosted by Mr Love and Justice are now being held at The Central Library and this month they have a couple of very special acts for you. Local roots collective S’Go mix up folk, blues and country styles with more eclectic gypsy jaunts, shanty shindigs, café jazz and everything in between. Also appearing are Lightgarden a band whose celtic jigs and eastern vocal tones are a beautiful mix of orient and occident.

 

Finally, The Roaring Donkeys Wednesday offer to break up the working week comes with a stripped back show from Kitchen Sink Dramas; poignant social comment meets infectious musicianship, wit and wisdom all in one place.

1148809_503701169718211_1721662663_nSo that’s it, all done. Twelfth Night has been and gone, the decorations are back in the attic, though you will be picking pine needles out of your socks until May, the Christmas supplies have been depleted, all but the hardly touched bottle of egg-nog and some dubious looking figs and it is time to look forward to the future (…it’s only just begun…still got that damn tune stuck in my head.). So armed only with a new gym membership and a handful of good intentions we step forth into a new year, a blank page to document the next chapter… in bestest handwriting please.

 

And we get off to a great start at The Victoria tonight with the first Songs of Praise show of the year. Headliners, The Black Feathers, have made quite a name for themselves with their amazing vocal harmonies and blend of Celtic folk and Americana roots music. Joining them are Little Red another roots outfit driven by sweet boy-girl vocal interplay and opening the night is the quintessentially and often eccentrically English sounds of George Wilding.

 

Staying at The Victoria, on Friday, intelligent, direct, melodic and occasionally anthemic rock is on offer with Clay Gods and joining them are Goodbye The Sunset, a band who seem to channel something of the spirit and sound of what first turned my ear to The Gaslight Anthem, so no complaints here. Opening the show are the aptly named Dirty Smooth who manage to mix raw rock with acoustica or as they put it “tunes hard enough for the boys to rock out too, but sweet enough for the girls to dance too!” Cunning.

 

The Rolleston, meanwhile, will be grooving to the jazz, funk and blues fusion that goes by the name of Rival Attraction and if a more ska, punk and New Wave vibe better suits your tastes then a quick visit to The Swiss Chalet to catch Operation 77 is in order.

 

Saturday sees We Ghosts return to The Beehive. This ever popular Anglo-Swedish band trade in an acoustic sound that ranges from stylishly driven rock to emotive, smoky, late night chill-outs but always with lush and distinctive vocals leading the way.

 

Elsewhere the rest of the evening options pretty much follow a less original tack, the best of which in my “over-inflated opinion” is 1000 Planets who will be delivering their Killing Joke set at The Victoria. So if the thought of moshing out to the gothic laced industrial dance sounds of one of the post-punk periods most creative bands, then this is about as close as you can get without a time machine.

 

Cover bands are out in force so you can catch The Tin Shack Band playing everything from the sixties to the present day at The Rolleston and The Swiss Chalet features Catch 22 playing…wait for it, pop and rock from the sixties to the present day.

 

Out at Riffs Bar, Sound Bites not only run through a set of classic rock covers they will also be raising money for Wiltshire Air Ambulance and FOLMS.

 

The week rounds off with a couple of great singer songwriters. Firstly on Sunday you can find Matt Chipperfield at The Beehive for the afternoon session and then on Wednesday at The Roaring Donkey you can catch the folky-Americana sound of Salisbury’s very own Sue Hart.