Tag Archive: cover addicts (the)


10628059_765161323523366_7975140535020360117_nI was going to do my usual introduction based on musings and procrastination but I have even decided to put that off until another time and just as well looking at how much there is to fit in this week. Okay, lets do this.
Starting, as I usually do, with Songs of Praise at The Victoria, tonight you can catch lo-fi, roots duo The August List (pictured). Variously described as “backwards country” and “porch folk” this is a band that invoke the bleak, gothic, southern soundscape of The Handsome Family and the bucolic folk/rock of The Decemberists.  The local talent is supplied by Kitchen Sink Dramas, the musical vehicle for Steve Leigh’s hard-hitting, thought-provoking, incisive, romantic and humorous lyrical outpourings. Also on the bill are Cook and The Case a band who whether crafting gossamer thin musical atmospherics or soaring post-rock deliveries still have the ability to break your heart.
 
Meanwhile down the hill at The Beehive, the regular Acoustic Buzz night hits its 25th show in style. Hometown Show provides old time Appalachian bluegrass and Joe Kelly contributes harmonica soaked country folk. Shoot The Duke play sweet folk-pop and your host, as always, is Tim Manning from Blind River Scare with his wonderful country/folk blends.
 
The big noise for Friday takes place at Level 3 as those wonderful folks at The Reggae Garden have put together a great night. Dubwiser are a dub, hip-hop, reggae collective who mix their quirky English heritage with Jamaican influences that suggest Syd Barrett meeting The Specials in a parallel dimension. Also appearing are The Tribe, a funk, reggae, dance act drawn from familiar faces on the scene and having witnessed their debut show at Longs Bar last week cannot recommend them highly enough.
At Riffs Bar Josh Wolfsohn launches his new e.p. Dirty Concrete aided and abetted by Over To You, Break Glass To Open and Sammy Sangha and there is a second chance to catch Kitchen Sink dramas at The Beehive.
The Victoria is the scene of The Monkey Dolls 3rd Charity Bash, raising money for Uplands School and The Alzheimer’s Society. Joined by The Cover Addicts and Albatross Landing it is a night of all your favourite songs from the whole of the rock and pop history book and a worthy cause to boot.
Fans of tribute bands have the options of the music of Steely Dan at The Rolleston on Friday and on Saturday can either relive The Who at The Victoria with Who’s Next or catch Bootleg Floyd at Riffs Bar. At The Swiss Chalet, Syntronix will be tapping into the synth pop end of the eighties, so set your shoulder pads to stun, slip on a pair of legwarmers and dance the night away to the sounds of Gary Numan, Ultravox, OMD and the like.
For the full comedy/music experience then head to Level 3 for the strange world of Kova Me Badd.  More a surreal parody of a covers band than a serious attempt at the genre they will be either the best or worst band you see this year depending on how you judge such things and foregoing the usual cover band selections brace yourself for a night of murdered boy band tunes (that’s the tunes being murdered not the…well, you know,) cheesy rock and nothing less than the wholesale destruction of music as we know it. Still, could be worse.
Original music does show its face here and there. The Worried Men play incendiary rhythm and blues, mixing standards and originals at The Rolleston. If you are a fan of the likes of ZZ Top and The Hamsters then this is the band that completes the unholy electric blues-rock trinity.
But before all of that kicks off you can catch a more sedate afternoon at VuDu with music from Tom Stark and Shaun Barry but more importantly great coffee and cake on hand as well.
More acoustic offerings to end on. The Sunday afternoon session at The Beehive is the place to find the delicate blend of blues, ragtime, music hall and folk traditions; intricacy and intimacy in the style of Nick Drake and John Martyn. And finally at The Roaring Donkey on Wednesday features the jazz tinged folk of Nick Tann who will be playing a totally unplugged set of soaring, expressive vocals, heart on sleeve poeticism and pin drop atmospherics.

1374371_626819517396714_494436571_nIf you type the letters S M E and L into Google the first thing that is returned as the most common search in the world is Smells Like Teen Spirit, a song that is just about 23 years old. Why do I bring this up? Well, it is twenty years ago since Kurt Cobain took his own life but still he is all around us. In many ways Nirvana, and the grunge scene it was part of, was the last musical style that seemed to really change the musical landscape. Like hip-hop, punk and rock’n’rock before it, the impact was immeasurable, but what have the last twenty years given us? Whilst great music has continued to be made, why haven’t we seen the radical changes in music that previous revolutionary movements would suggest?

 

If you are waiting for answers, I don’t really have them. Maybe it is the fact that music is so “on-demand” it’s like Christmas everyday and you can have whatever music you want, when you want it, largely for free. Maybe it’s time to fight back and make a scene, it all it’s meanings. Grunge, Hip-Hop, rave, baggy, punk all grew from small acorns, maybe it’s time to get behind live music again, storm the barricades of apathy and make something happen…maybe even in Swindon.  Still, enough of the rhetoric.

 

Starting out at Riffs Bar, tonight is one for the rock fans and All Ears Avow lead the musical charge. Having risen from the ashes of progressive metal maestros Mortdelamer but now with an eye on a snappier alt-rock delivery, the band elegantly blend the dexterity of their previous incarnation with the accessibility of the latter. Support comes from pop-punkers Highly Personal and

Cavalier, a band that with just a few shows under their belt are already sounding on a lot of the right peoples radars.

 

The Beehive will be hosting the dustbowl era Americana of The Open Secrets who will make you feel like you are sipping whisky in a bar in North Carolina with Ryan Adams jamming Carter Family tunes in the background. Reginald Road will be playing roots rock reggae at The Queens Tap and The Beaujacks come all the way over from Eindhoven to treat The Victoria to everything from Led Zeppelin to The Rolling Stones to ZZ Top.

 

Fans of psychedelic blues and highly charged R’n’B will want to be at The Rolleston on Friday for Snatch It Back and if a further reference point were needed the band features original Groundhogs drummer Ken Pustelnik so you will have some idea what to expect. At the Royal Oak, The Cover Addicts will be playing hits from the 50’s to the present day.

 

Out at Riffs Bar Acoustic Sessions Jenny Bracey and Sadie Fleming feature, though as usual any details of the show are a closely guarded secret so I suggest you contact the venue for further information.

 

What I can be a bit more certain about is the event that they have at the venue on the Saturday. In an effort to help fund a trip to Kenya for the Younite Outreach Project and continue it’s objective of helping improve the lives of those less fortunate, there is a fund raising show featuring British Harlem, a  wonderful blend of punk infused, quintessentially English indie with soulful transatlantic vibes. Also on the bill are Theo Altieri, Bianca Polizzi, The Primaveras, The Debuts and The Illustrations. Great music and a worthy cause.

 

More great original music is to be had at The Castle with the return of The Racket (pictured). Back out as a five piece, the band known for their uncompromising, last gang in town attitude, punked up indie cool and cocky live swagger will come as breath of….sweaty, cigarette fumed, booze soaked air.

 

The Victoria has a tribute to Texas groove-metallers Pantera and at The Rolleston The Dark Eyes “bridge the gap between rock and pop with originals and covers.” Their words not mine. More covers are to be had at The Woodlands Edge with Switch.

 

Sunday sees Ezio return to The Victoria a band that specialize in emotive, deep and meaningful music and lyrics that are honest and which will strike a chord (pardon the pun) with the audience.