Tag Archive: dickie reed


1012061_10151336558167168_224323729_nSo as we turn the corner from a cold and very wet January to a, probably, just as cold and wet February, at least the first buds of musical growth are starting to appear in the local venues. January is always musically slow but this week there is a lot more to tell you about than in previous weeks so I shall just get down to business, stop procrastinating, cease dilly-dallying around, quit the filibustering, postpone no longer…in short, get on with it.

Although with their roots in more conventional mainstream sounds, the Talk in Code that heads into 2014 are a sassy blend of synth washed, indie-dance and guitar driven pop sensibilities. Not a bad way to kick the week off. They are joined by alt-rock, new comers, A Way With Words and acoustic artist, Daniel James and all this happens at The Victoria tonight.

At The Beehive is Tennessee’s very own Mark Merriman, a world-renowned guitarist who has rubbed shoulders with the likes of Frank Evans and Wishbone Ash’s Andy Powell.

Lots to choose from on Friday and the birth of a new venture to help bring something new and vibrant to town. Under the direction of two of the areas most established players, The Regent is now hosting acoustic sessions and the first one kicks off in fine style with an acoustic set from the guys of False Gods and the long awaited re-emergence of The Racket main man Plummie.

The other regular Friday night acoustic session at Riffs Bar will feature the delights of Nick Tann (pictured), a jazz inflected, soaring and soulful player armed with a disarming wit and shirts whose loudness might cause a few health and safety violations. He is joined by the stripped back acoustic funk of the puntastic With Nell and I, a slick and musically elegant band with a vocal that will stop you in your tracks.

Other acoustic offerings come in the form of the furious, folk party that is Grubby Jack at The Rolleston. Traditional songs from the folk, Americana and Celtic songbooks, delivered with infectious aplomb and cheeky charm by this talented trio.

Right, if you prefer your music more fired up and electrified…as it were, you can either catch The Star Men, a tribute to all things seventies Glam at The Victoria or for something more current and original, The AK-Poets continue their tour by descending upon The Beehive for a night of razor wire riffs, raucous rock and murderous melody. It’s brash, it’s boisterous…it’s brilliant.

Although I bemoan the amount of classic rock cover bands that come through this town (lets not get on that one again though) The Victoria this Saturday night offers the chance to see, if not the fresh face, at least the hard bitten snarl and contemptuous growl of the genres current cutting edge. This double header features Stonewire and Four Wheel Drive, festival stalwarts, hard hitting classic rockers and the most exciting live show ever to pull on a pair of biker boots.

Meanwhile Reginald Road, a mix of punky ska and reggae rock, will be firing up The Queens Tap with a set of originals and classics, The Rolleston features Dickie Reed and The Royal Oak is the place for a night of fun covers with Penfold. Fans of the 80’s will want to head out to Riffs Bar for the synthy sounds and nostalgic themes of Syntronix.

More pop, rock and indie covers come courtesy of Switch at The Kings in Old Town on Sunday and those with who remember the glory days of rock will do well to get tickets for Martin Turner’s Wishbone Ash at The Wyvern Theatre. Founder member Martin, not only looks back at four decades of music, faithfully reproducing all the bands classics but also offers up brand new music into the mix. If the word Argus conjures up more than a Brighton newspaper, then this is the show for you.

It sometimes seems that these days there are as many sub-genres of rock music as there are bands themselves, as a music writer it takes a lot of keeping up with. To know your Gypsy Punk from your Krautrock, your Doom Metal from your Shoegaze or your Riot Grrrl from your Neo-Prog requires no small amount of homework. Tonight’s Songs of Praise show at The Victoria, however, can be summed up very simply, old school rock and roll, a trio of bands that both kick arse and cut the mustard. White Knuckle Bride revel in the sort of street rock that you associated with The Sunset Strip of the mid 80’s, big riffs, big choruses and a live performance charged with aggression and attitude. They are aided and abetted by current tour buddies, Burnthru and coming down from Derby to join them are sleaze merchants Bury the Ladybird (pictured). Rock and Roll it would seem is back on the menu.

 

If that doesn’t take your fancy then maybe some tongue in cheek country and/or western, for The Badass Cowboys play both types, might appeal. This ever-popular band will be at The Beehive and rather than try to describe the band I will let their album titles speak for themselves. Take Me Home Randy Rhodes; Born in the KFC and the truly inspired Portaloo Sunset, I think you get the idea of what they are about.

 

Friday can be summed up in the phrase “ from the sublime to the ridiculous.” For the sublime you should head up to the Arts Centre where violinist Miranda Dale and pianist Paul Turner will be performing not only that most quintessentially English piece, Vaughn Williams The Lark Ascending, but also music by this country’s other big names, Walton, Britten and of course Elgar.

 

At the other end of the spectrum we find ourselves back at The Beehive for Bill Smarme – king of the social club crooners, love guru, connoisseur of fine wines and marmalades, building contractor…apparently.

 

On a more even keel, The Victoria has a cracking line up featuring three of the bands to watch at the moment. The Icarus Youth do a neat line in alchemizing rock, urban and alternative sounds into a slick and quite brilliant final product and if bands such as The Post War Years or Two Door Cinema Club are your thing, then this is the place to be. But as if that wasn’t enough The Blood Choir bring their atmospheric and bleak soundscapes to life and the cinematic folk meets indie pop of Old Colours kicks the night off. Now that is one hell of a line up.

 

The big event for Saturday takes place at The Running Horse where they have gathered together their favourite acts from the past sessions to create The Acoustic Garden Festival, which does pretty much what it says on the tin. There are far too many bands to mention them all but with Faye Rogers, Alice Offley, Bateleurs, Coach and Billyjon on the bill, you can get an idea of the pedigree involved here.

 

Rock fans are going to be like kids in a sweet shop, as they have to choose between, original Status Quo drummer, John Coghlan at Riffs Bar, tributes to Muse and Iron Maiden at The Victoria and The Furnace respectively and some good old R’n’B at The Rolleston with Dickie Reed.

 

The Sabbath kicks up a couple of more chilled options. The aptly named Lazy Sunday Afternoon at The Arts Centre is hosted by Mr Love and Justice, probably one of the most popular bands of the thriving “historical, socio-political, agri-folk, jangle- pop” scene. They are joined by the Jansch-esque Tim Graham and the soothing and ethereal tones of one of my favourite bands of the moment, Rumour Shed.

 

Other laidback serving suggestions are available at The Beehive under the enigmatic title of Incarnations of Matilda. Presumably this will be not only the usual Matilda display of harmony driven blends of folky piano jazz, but after a quick game of musical chairs will feature songs by Emily Sykes and Friends also. Two bands for the price of one, what a bargain.