Tag Archive: eberdeens (the)


mrcatandthejackal_arno-krugerSo, another year, another Swindon Shuffle done and dusted. I hope everybody had a great time, discovered some new bands, took in some of the new cultural diversities that were included and maybe made a new friend or two along the way. (Due to the nature of deadlines, at the time of writing this I am currently only mid festival, which feels a bit like being in some bizarre, Terry Gilliam time travel movie, but we will have to assume all went well and the space time continuum, not to mention the reputation of local music is still in tact.)

 

If you still haven’t had your fix of music, the place to be this weekend is SN1Fest Summer Ball at The Old Town Bowl for a celebration of all things dance music. Saturday is spearheaded by the twisted minimalist disco sounds of Simian Mobile Disco and just added to the line up, Dismantle, the pioneering young DJ who effortlessly blurs the lines between house, dubstep and Dutch techno. Add to that over a dozen dance acts and DJ’s and you have the perfect day of contemporary and cutting edge music. If Saturday celebrates dance as a genre, Sunday is more about dance as a concept with an eclectic mix of live bands designed to get you in the party mood, from Old Colours, 2 Sick Monkeys, British Harlem, The London Underground Orchestra and all topped off with a set from Radio 1 DJ and Indie guru, Huw Stevens.

 

Back in the regular haunts there is still a multitude of great music to be deliberated, cogitated and digested, sorry went a bit Loyd Grossman then, and it doesn’t come better than Mr Cat and The Jackal (pictured) at The Victoria tonight. An experimental acoustic folk band reveling in blues, gypsy, tango, balkan and celtic themes via the medium of handmade instruments and an amazing live show…sounds worth checking out if you ask me. Support coming from punked up celtic folksters, Missin’ Rosie just adds to your reasons for going.

 

Also on the menu tonight, at The Beehive, Andre and The J-Tones mix up original and retro classics with an R ‘n’ B and soul flavour.

 

The big show for Friday is to be found out at Riffs Bar where great music and a worthy cause go hand in hand as a host of younger acts, including The Fixed, The Eberdeens, Abbie Sims and Lucy Gray will be raising money for The Stroke Association. The Rolleston is offering up The Sitting Tenants, a brilliant power-pop, psych and soul band from the 208 Records stable and The Beehive has a young touring German rock three piece that goes under the name of Patrick McCrank.

 

The Victoria start the first of two days of elated sun-clasped dance grooves tonight with the wonderful funky dub sounds of Backbeat Sound System and support from the multi-genre mash up kings, SN Dubstation. The following night the regular Reggae Club Night is visited by the legendary DJ Amma who has virtually played for every band, radio session and live event that matters.

 

Also on Saturday, fans of rock classics should head to The Rolleston for Fly on The Wall who do a neat line in covers by the likes of The Stones, Thin Lizzy, T-Rex and Blink 182.

 

The Sunday afternoon session at The Beehive is filled by The Senile Delinquents, a brilliant little cowgirl jazz, country outfit, imagine The Dixie Chicks with a european bias and you will be halfway there. The Sun Inn has one of it’s al fresco sessions (posh for outside) which this time will feature The Costellos, a band with a ska-reggae heart but musical arms enough to embrace a whole range of other styles and genres.

 

 

As is often the case we have to fast forward to Wednesday for our final slabs of music which come in the guise of Billyjon, a romantic balladeer who seems to be these days slipping into slightly darker and edgier musical waters, at The Running Horse and Sumita Majundar’s fresh and honest piano stories at The Roaring Donkey.

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I read with some amusement today that “Nasty” Nigel Lythgoe has come out of retirement to host a new show. In keeping with the current trend of making everything into reality TV, he travelled to Birmingham with the Archbishop of Canterbury and famous born again Catholic Tony Blair to judge Popestars, a competition designed to decide the next pontiff. Thousands of hopefuls queued at the door, including Fiona Brat-Actress whose experience extends to having appeared in Cliff Richards Mistletoe and Wine video. The audition tasks will include singing Ave Maria, Tarmac Kissing and Meeting Bono and pretending to know who he is. One hopeful, Derek Cleanliness, 89 from Rugby, has already caught the judges eye, “He’s definitely got the look we are after” said Lythgoe, “It’s a sad fact that in the cut throat world of the Vatican, image does matter”

Still, enough pontificating and on with the show. Songs of Praise at The Victoria tonight features a mix of both old, new, local and from further afield.  The Starkers are a collision of grungy density and Libertines-esque melodies, whilst up from London, Hitchcock Blonde take the form of an explosive, raging alt-rock beast, laced with accessible melodies that both kick arse and cut the mustard. Opening the night, The King in Mirrors are a new band made up of familiar faces and if you get their titular reference then their rough and ready, post-punk, underground pop will be right up your street.  By contrast you can catch the superb acoustic folk guitar and sun kissed vocals of the far too young to be this talented, Jenna Witts.

Loads happening on Friday, The Furnace being a great place to spend it with a wonderful line up of younger indie types. Chaps of the moment Nudybronque headline, a band on a wonderful trajectory that has so far taken them from innocent, speed-freak pop to bittersweet, underground indie and are poised for a future that looks even more beguiling. Support comes from The Two’n’ Eights, The Racket and The Rhubarbs.

Whatflag at The Beehive are a fascinating world rock, jazz band with its roots in Gaza and Tel Aviv and a drive to break down borders and unite communities through their music. The Victoria goes for a night of acoustic acts. These days despite rubbing shoulders with the likes of The Levellers and New Model Army, which in my world is about as good as it gets, Gaz Brookfield still finds time to play his old haunts and his mix of wit and wisdom set to infectious tunes is not to be missed. Support comes from alternative folk duo, Julesbury, musical magpie Jimmy Moore and the soulful stylings of Benji Clements.

Blues fans have a hard choice to make, torn between Larry Miller at The Arts Centre and Innes Sibun at The Rolleston.

The big one for Saturday is at The Furnace with top tribute The Faux Fighters. Personally I have never really seen the reason that Grohl and the gang are held in such high regard, after all if Sean Moore had jumped ship from The Manics in 1995 and returned with an inoffensive, mainstream version of the same, would anyone have batted an eyelid? Still if The Foo Fighters are your thing, this is the place to be. Other things that might take your interest are The Nomarks playing ska at The Castle and 1000 Planets doing choice cuts of classic rock, industrial, goth and punk at The Rolleston.

Some lovely acoustic comes your way on Sunday. In the afternoon you can catch Beehive favourite Juey and her gentle blends of folk, country, bluegrass and Cajun, after which heading up to The Rolleston will enable you to revel in Rumours of Spring who bring a vast array of instruments to bear on a set forged from rock, blues and folk.

The Running Horse on Wednesday has two amazing acts for you. Louise Latham (pictured) combines honest, heart on the sleeve emotions with room silencing vocal delivery that resonates with beauty and wistful reflectivity. The other half of the bill (that really should be considered as a double headline show) is The Black Feathers, an acoustic duo that combine English folk, Celtic traditions and Americana into what is almost this country’s answer to The Civil Wars.

Also on Wednesday, Teenage Kicks takes us out in fine styles at The Furnace with a riot of indie and alt-rock with The Fixed, City Lights, The Eberdeens and Written in Words (errr….as opposed to?)

Teenage Kicks at The Furnace

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Some of you may be aware that I write an occasional music blog called Groovers on Manoeuvres, but how many of you realise that it is a title I stole and was originally the name of the first major UK tour by Black Country legends, The Wonder Stuff. I mention this mainly to build up to the fact that main “Stuffie” Miles Hunt is playing at The Victoria tonight, aided and abetted by his glamorous assistant and virtuosic violinist, Erica Nockalls.  Offering up rootsy versions of Wonder Stuff classics as well as between song narrations of life on the road with the band, this is a real must for anyone who remembers leaping around their bedroom to the strains of “It’s Your Money I’m After Baby” Not that I did such a thing I hasten to add. Support comes in the fine form of Gaz Brookfield.

 

Further down the hill the Zetan Spore mothership will be descending on The Beehive to turn the compact and bijou pub into a pulsating and euphoric, tribal, psy-trance rave. Blimey!

 

If you like your music a bit more brutal, then South West Hardcore has a metal show at the 12 Bar. Up from Basingstoke, headliners Blood of the Spectre do a neat line in technical metal, fast, Byzantine heavy and always on the money. Regular touring partners, Doomed From Day One and local outfit, Go Out With A Bang will be warming the crowd up for them.

 

Indie rules the roost over at Riffs Bar on Friday with the quite brilliant Street Orphans leading a line up of local talent. Hard work and great songs have made The Street Orphans one of the success stories of the last couple of years, a story whose most recent chapter saw them playing an after show party for Noel Gallagher’s High Flying Birds. Also on the bill are With Felix, Fly Like Fools, The Souperstars and The Eberdeens.

 

The Parlour Kats play at The Beehive. At this point I would normally endeavour to describe what it is they do but I have read their “about” info on their website and as is often the way with self penned biography blurb, I still have no idea what they do. Best you just pop in and see for yourself.

 

If the heavier groove is your thing then The Victoria has The Thin Lizzy Experience and The Rolleston the ultimate tribute to heavy metal – Metalhead.

 

Saturday is really mixing up the options, generically speaking. The big name is Richard Street, ex-Temptations front man and his touring band at The Wyvern. At The Rolleston some of the finest white electric blues on the circuit today can be found with Innes Sibun, whilst next-door in The Furnace, The Useless Eaters will be recreating the power and the passion of the early punk era to help raise money towards a Camps International trip to Kenya for pupils from Dorcan Academy.

 

The 12 Bar sticks with it’s championing of heavier music  again in tandem with South West Hardcore who this time bring you Knotslip, an anagrammatic tribute to the Iowa nine-piece. Support comes from Christian rockers Rising From Death, but don’t worry I’m not going to go into the whole Buddhist Rap/ Shinto Indie routine again, once every couple of years is enough.

 

One band that defies easy categorisation can be found at The Beehive filling the Sunday afternoon slot. Kola Koca alchemize folk, blues, jazz, swing and rock into poignant and humorous vocal charges and sublime musical set pieces, not bad for a free gig.

 

A couple of big names from the folk world will be breezing up to the Arts Centre on Tuesday. Martin Carthy and Dave Swarbrick have been at the heart of bands such as The Albion Band, Fairport Convention, Steeleye Span, Band of Hope and more recently The Imagined Village and their current live outings are still full of the energy and charm of their formative days.

 

And finally, the Wednesday Running Horse Sessions features Bateleurs; rising stars of the festival circuit and a wonderful weave of English folk, Celtic vibes and vibrant Americana.

 

Not to be out done, The 12 Bar’s Acoustica is an “open mic and acoustic showcase featuring some of the South West’s best acts.” It does, however, neglect to tell us just who those acts might be.