Tag Archive: fleetwood bac


10349094_566351956803162_3626054594936056313_nWith the exception of Tibetan Jazz aficionados and fans of the burgeoning Polynesian trip-hop scene, most musical tastes will be catered for this week. Variety, as they say is the spice of life and this weeks musical offerings prove to be a particularly fine condiment of existence.

 

Acoustic buffs should head to The Victoria tonight for a rather special triptych of players, headed by Darren Eeddens, a bluegrass and honky-tonk folkster as at home on the banjo as he is the guitar. A story telling troubadour in the truest sense, he describes himself as an old soul with the imagination of a child. Local support comes in the form of the elemental sounds of Drew Bryant and the atmospheric endeavours of Andrew Burke.

 

The newly revamped Beehive will be echoing to the sounds of Built For Comfort who channel the sound and the vibe of a late night, smoky, back room Chicago blues club.

 

And Friday, it would seem, is the new Saturday judging by the amount of gigs you have to choose from, a myriad of styles and genres running from the sublime to the ridiculous. Representing the sublime is Faye Rogers at Riffs Bar. Hers is a sound that has grown gracefully from an innocent, “girl with guitar” solo spot to a band that soundscape around the tunes with shimmering guitar riffs, sensuous cello washes and less is more beats. Joining her is Antoine Architeuthis who mixes Celtic jauntiness with sweeping English pastoral folk sounds and just a splash of eastern spiritualism to weave an exotic musical tapestry.

 

Representing the ridiculous (only joking chaps) is The Hamsters from Hell, rhythm and booze experts whose talents at wrapping a risqué lyric around a grinding r ‘n’b groove is exceeded only by the speed at which they can run up an impressive bar tab. Catch them at The Queens Tap.

 

It’s folk Jim, but not as we know it. Actually it’s The Model Folk. Forget finger in the ear, bearded, jumper wearing folk police who still harbour a grudge over Dylan going electric, this is Balkan inspired, punked up gypsy folk with a fixation for railways, soviet farming machinery and 1930s drag queens…apparently. Catch them at The Beehive not least because they use the word rumbustious in their band biog’ and you have to admire a band who keep such words in circulation.

 

Level 3 continues in its mission to throw off the gothic imagery and nu-metal fixations of the past (I can see the music forums ablaze already over such a comment) and embrace a broader musical sensibility by hosting a night of reggae. Empower the Gambia, a charity that aims to improve conditions in rural Gambia brings you cool reggae sounds from Bobo Blackstar and The Tribe.

 

Something more familiar can be found at The Victoria with Fleetwood Bac (I’ll let you work out what they are all about) and at The Rolleston where The Dark Eyes will be playing covers through the ages from the sixties to the present.

 

In a change from their usual Thursday slot, those awfully nice people at Songs of Praise have a Saturday show at The Victoria. The top slot is taken by Colour the Atlas (pictured) a band whose chilled, cinematic and atmospheric brand of trip-pop (if such a term is allowed) has seen them lauded by critics and touring with the likes of Newton Faulkner. Check out their brilliant new single “That Sound” now and then watch them live, right on your doorstep. Also clutching a new release is Alex Rainsford, who creates a sound that embraces the drive of rock and the dexterity of folk and throws in soaring vocals and heartfelt sentiments. And opening the night is Charlie Bath a singer-songwriter who needs no introduction to the discerning local music fan. If a crystal clear yet warm vocal, emotive lyrics and wonderfully crafted songs are your sort of thing, then make sure you get to this gig on time.

 

If you are after something more visceral, then The Rolleston may have the answers, as The Keith Thompson Band will be firing off salvos on incendiary blues-rock in the style of Moore and Gallagher.

 

And finally the Sunday afternoon session at The Beehive has what can be best described as “3 in the morning, porch blues” courtesy of David Bristow.

Whilst I was clearing out some old text files from my computer the other day I came across my very first Sounds Around Town submission and realised that I have been ensconced in this particular ivory tower for just about 3 years now. Quick calculations put that are around 100,000 words of recommendation for Swindon’s gig going cognoscenti, many of those words spelt correctly and in a logical order. Three years! To paraphrase Sandy Denny, had she been writing in Latin, where does the tempus fugit indeed?

 

So, enough of ancient history and on to the music of the moment. It’s certainly one of the quieter weeks, but that is probably to be expected with the amount of local festivals and busy schedules we have had through the summer. Still, there is good stuff to be had if you know where to look.

 

There is no better place to kick off your search for original music than at The Rolleston tonight with Optimal Prime, made up of members of Dodging The Bullet, Deep Thought and Snaggletooth and delivering hard hitting rock that takes in the more proggy reaches of the genre. Support comes from the ubiquitous Plummie Racket touting his solo acoustic set.

 

If you miss the main act though you can catch them on Friday over at Riffs Bar supporting Steve Grimmet’s Grim Reaper. His is a tasty slab of British classic rock and all in aid of raising money for Children’s Leukemia. Great music and a worthy cause. And if the heavier end of the musical spectrum is your cup of Earl Grey, then you might want to consider a tribute to Rammstein at The Victoria as Rammlied bring all the industrial grind, pomp and dark majesty of the original to your doorstep.

 

And still the options in the loud and shouty department roll on. The Furnace hosts it’s regular Teenage Kicks night, showcasing the best in local bands, this time with the melodic hardcore of The Pursuit and Natures, the eclectic alt-rock of Tides of Change (who replace Route 101) and the frantic drive of The Doss who sound like a collision between The Buzzcocks and Nirvana.

 

A different serving suggestion comes courtesy of The Erin Bardwell Collective. Late sixties style rocksteady and ska originals, driven by that classic organ sound and an infectious energy and all for free at The Rolleston.

 

Saturday has a fair bit to offer in the way of music, though sadly not much of it in the original category. The Rolleston offers the only oasis in a desert of tribute acts,  in the guise of Gwyn Ashton. Not only does he do a neat line in pre-war Delta blues flavoured with cool country, jazz vibes and swamp rock earthiness, but this show will also feature ex-Magnum drummer Mickey Barker. Those into their music trivia might be interested to note that the Magnum connection also extends to Gywn’s latest album, Radiogram, which features, amongst other stalwarts, iconic piano man Mark Stanway. (I have One Sacred Hour playing in my head even as we speak)

 

Tributes can be found at The Victoria with Fleetwood Bac, featuring a Christine McVie who looks a lot like Alice Offley, Bjorn Again being ABBA at the Old Town Bowl and Syntronix playing the synth-pop hits of the eighties at Riffs Bar. And if you are still in the mood for partying after all that then Reboot club night at The Furnace playing indie, rock and alternative is the place to head for.

 

Juey is at The Beehive for the Sunday afternoon session; soft Americana and folk songs with a traditional, storytelling form, employing guitar, harmonica, mandolin and banjo.

 

Wednesday provides a welcome stepping-stone to get you through the working week with a couple of interesting options. The Running Horse continue to bring in quality acoustic music, this week it’s The Black Feathers (pictured), a band whose ear for melody and amazing harmonising have to be witnessed live to be believed. Ben Maggs is also on the bill.

 

The Victoria is playing host to Shakespeare, Rattle and Roll a show looking at the life, loves and language of The Bard and setting much of it to music in a more contemporary style, such as Beatles, Elvis and Bob Dylan. Sounds pretty original to me.