Tag Archive: lord bishop rocks


lord_bishop_rocks_carlisle_01_313x470As Harold Wilson once said, “ A week is a long time in local music, ” well, something like that. Anyway, after a few weeks of being hard pushed to find much to talk about on the gigging front, this week is an embarrassment of riches and so without further….

 

So starting in our usual departure point on this rollercoaster of what’s-on-ness, The Victoria, tonight has it’s second show commemorating Tom Humber’s all too young passing a year ago, with the hard and heavy sounds of In The Absence of Light and Eye For An Eye. Those looking for a more rootsy fix would do well to head for The Beehive and this month’s Acoustic Buzz. Hosted and featuring a solo set from Blind River Scare’s Tim Manning, this month’s bill also sees the bluesy folk of Tamsin Quin plus Boss Caine, a man who looks like a Bowery street busker and has a sound and style reminiscent of Tom Waits. Nice!

 

Staying with roots, on Friday you can catch two of the best of that genre at The Rolleston as Hip Route bring their energetic and emotive acoustic-blues groove, slide guitars and beatific beats to bear on the audience. Support comes from Sam Green who even without his Midnight Heist cohorts is a musical force to be reckoned with. Riffs Bar Acoustic Session features a triptych of folk artists…for those that didn’t go to Sunday school that means three. The “Dude Where’s Your Car Tour” is a package of young singer-songwriters from the Midlands and comprises of David Young (no, not that one, a different one,) Dan Salt and the wonderfully named Brains For Breakfast.

 

The Automaniacs are at The Beehive; expect psychedelic instrumentals mixed with proggy structures, old school rock’n’roll, atmospherics and electronic washes or just imagine the sort of sounds that might come from a haunted music shop in the early hours.

 

For those who fancy crossing the parish boundaries and heading out into the sticks, as a teaser for The Big Gig later in the year, you can catch a bunch of bands at The Crown in Broad Hinton, namely The AK-Poets, (or catch them again at The Royal Oak on Saturday) Charlie Ann, Full On and Nick Felix.  Party band Interlight will be providing covers and humorous banter at The Victoria.

 

Saturday see’s one of the busiest nights musically around town I have seen for a while, nothing at all to do with venues booking bands merely as pre-football party acts whilst balding forty something’s in ill fitting sports regalia explain loudly to each other why their team selection would be much better. No, I’m sure the bands have been book purely on their own musical merits.

 

Original Brit-Punks, The Members bring “the sound of the suburbs” to The Victoria, mixing explosive first wave punk, pop melodies and reggae vibes. I’m sure the fact that their show is scheduled to finish at 10.30, just as the football starts is pure co-incidence. More heavy sounds can be had at Riffs Bar as Lord Bishop Rocks (pictured) swaggers into town. Beatle-esque melodies, Sabbath’s musical weight and the funk of James Brown are moulded into what the band themselves title Sex Rock. Superb Support comes in the form of Burnthru and Mascot.

 

Proving that it is not all about numbers, Level 3 have a show entitled Two Piece Suit: 2 acts each made up of two musicians. The Sea mix the sass of T-Rex with the swagger and industrial riffing of The MC5 whilst 2 Sick Monkeys play incendiary punk with humour and dexterity. Meanwhile in The Rolleston next-door The Imperial G-Men use rock and roll, jump and give to excite their crowd.

 

Something less raucous comes courtesy of The GW’s regular acoustic night, this time featuring sets from All Ears Avow, who’s normal modus operandi is trying to inflict structural damage via white hot metal onslaughts, Emi McDade whose delicate piano creations I have previously championed in these pages, as well as The Philly Wood Band, Tyler Harvey, Jack Summers and another outing for Hip Route. Covers are provided Peloton at The Royal Oak and The Hyperbolics at The Queens Tap.

 

If you need something that afternoon to get your music juices running then a perfect aperitif is watching David Marx play the café at The Old Town Gardens.

 

And briefly, The Academy of Music and Sound are running two nights of music at Level 3 on Tuesday and Wednesday to raise money for the Prospect Hospice.

Beans on ToastWell, after a couple of weeks of gig listings that were quite literally an embarrassment of riches, things have calmed down a bit, but there is still a decent selection to be found on the musical menu this week.

 

Starting in our usual kick off point, the entrée on our acoustical a la carte offer, if you want to take the restaurant analogy to its illogical conclusion, Songs of Praise at The Victoria has a wonderfully intimate, seated show. Known the length and breadth of Old Town, Emily and The Dogs have been cooking up a veritable broth (enough of the culinary references now. Ed) infused with folk, gypsy jazz, blues, emotional resonance and late night reflections. Not a bad way to kick the weekend off. Joining them will be Hennesea –  imagine an acoustic Fleetwood Mac turning on to dream pop and Oliver Wilde who blends acoustica with shimmering technology to make wonderfully woozy experimental pop. And to think I used to play support to his dads band back in the day. Small world.

 

Rustic delights of the Americana variety can be found at The Beehive with this months Acoustic Buzz, featuring home grown bands Blind River Scare and The Open Secrets and all the way from San Antonio, Texas, is Rachel Laven touring her debut album, Unwind.

 

On into Friday and our good friends at Sheermusic are putting on a bit of an alt-folk treat. These days Beans on Toast (pictured) may rub shoulders with nu-folk royalty like Emmy the Great and Olympic warm-up act Frank Turner, but you can catch the man along with Oxygen Thief and Jimmy Moore at The Victoria.

 

Something a bit special at The Castle, all the way from Italy come The Sunny Boys, part Beach Boys part bubblegum punk though not to be confused with the Sydney post punk outfit of the same name. Theirs is a sound that will appeal to fans of Blink 41, Sum 182 and any number of North American bands with long shorts and numbers after their name. Jokes aside this is one of the slickest bands you will hear in town this year.

 

And that last sentence would carry a lot more weight if Dave Gregory’s current musical vehicle, Tin Spirits, weren’t also playing that night over at Riffs Bar. Dave, once part of the cutting edge of new-wave underground pop with XTC, these days revels in the myriad sounds of progressive rock.

 

Saturday at Riffs Bar is still about the rock, but this time, something less subtle, more primal. Anyone who hasn’t experienced Lord Bishop Rocks before really should do themselves the favour of catching this brilliant trio who alchemise Beatles melody, Sabbath’s oppressive weight and James Browns funk, the man is a musical shaman, you have to see it to believe it. Support includes the grunge-metal of Burnthru; trash rockers White Knuckle Bride and Latvian metal crew Burned in Blizzard.

 

Pop Quiz: What do Jay-Z, One Direction, Taylor Swift and Dizzee Rascal have in common? Answer: They have all had their songs ritually murdered by Kova Me Badd. If you want to witness the antithesis of good taste, musicianship and decorum, but do enjoy watching people who should know better make fools of themselves whilst brilliantly ruining chart covers, get up to The Victoria. A more serious offering comes with Grubby Jack and their upbeat and vibrant Celtic and American folk at The Tap and Barrell.

 

If a mix of alt-country, rock and folk sounds like your sort of thing, then Bob Collum and The Welfare Mothers at The Beehive is the place to head to, later that same day the voice of Dr Hook, Dennis Locorriere can be found at The Arts Centre and the jazz-heads will want to be at Baker Street for the potent and graceful piano led Dave Newton Trio.

 

More jazz on Tuesday, again at Baker Street this time with the gratuitous sax of the Kevin Figes Trio and Wednesday, The Running Horse plays host to singer-guitarist Ben Cipolla.

Laid low by a mystery bug over the weekend I found myself lifeless, crashed on the sofa and in my less than lucid state, watching Britain’s Got Pop Factor, or whatever the current re-hashing of Opportunity Knocks is called. Whilst the acts themselves left little impression, I seem to have picked up one of the most annoying habits of the modern TV age……The Unnecessary Dramatic Pause. You know, when they pause for no reason before delivering their verdict, to heighten the tension and/or lengthen the show. I have been trying to shake it off but will apologise in advance if it creeps into this weeks run down. Right……on with the column. (Sorry.)

Tonight at The Victoria is a show for all the fans of upbeat and intricate indie with the return to Songs of Praise of Bristol’s Hello Lazarus. Merging pop-punk, indie and math elements, they are seen by many as a worthy successor to Biffy Clyro and with support from Russian Blue, which contains ex-members of Sailors, and Lucy T it’s sure to be a night of great music. For those after something funky, bluesy, laidback and groovy, then Hiproute are just the band you are looking for and they can be found down at The Beehive.

One band that I have been meaning to catch for ages  is……(tension, tension, tension) …..False Gods, so I shall probably be making my way up to The Victoria again on Friday. False Gods exist in a swirling generic whirlpool fed in equal measure by torrents of punk, indie, rock and grunge, the fact that they have more than a hint of early Manics about them is just an added bonus. Support comes from the euphoric dance fuelled rock aficionados, Atari Pilot and the eclectic Oscillator.

For the big, and slightly risqué, rock show, then it’s over to Riffs Bar for New York’s infamous Lord Bishop Rocks. If groove driven, funked out, sleazy and suggestive, rock and roll is your sort of thing then arrange an audience with the big man.

More sedate sounds wait for you at The Beehive. If you remember Ross Darby from his occasional solo shows some years ago, you may be interested to know that he is now out and about with a full line up. The Fallows are a great sounding band that manages to fuse quintessential English folk, Celtic fringe vim and Appalachian vigour. Nice. Meanwhile at The Arts Centre, Buddy Whittington will be putting on a show of contemporary blues and showing why he was named as one of Guitarist Magazines top 100 unsung heroes.

Saturday has much on offer in the way of original music.  At The 12 Bar, The Racket continues to spread their beautiful cacophony, imagine grunge mugging Britpop in a back alley, whilst Madchester holds its coat. (Don’t worry; I don’t really know what that means either). Something truly unique takes place out at Riffs Bar as Jenny Haan and Dave Pushon play chilled and re-interpreted versions of songs by the band that made them famous in the seventies, Babe Ruth.

Great guitar work is two-fold; you can either go for white-hot blues from Lewis Creavan at The Rolleston or folk legend Martin Simpson at The Arts Centre. Nostalgia trippers and alt-scene freaks will be heading down to The Furnace for a tribute to it’s former days as the infamous Level 3 and a chance to recapture their youth, or more simply put, hip music and hip dancing probably resulting in hip replacements. I can hear the opening bars of a certain Soul Asylum song even as I type. Is this going to be a winner…… a million percent yes!

The big gig for Sunday is rapper Example at The Oasis and at the time of writing this, tickets are still available.

As usual Baker Street has the Jazz fans interests at heart, this Tuesday with The Alexander Hawkins Quartet whose improvisational leader manages to evoke past masters such as Theolonius Monk as easily as he beats a path into a jazz future horizon.

On Wednesday, A&T Live bring their eclectic funky, brassy, hip-rock, jazzbeat sounds to The Victoria but the one I’m excited about takes place at The Running Horse. Up from the south coast are two songwriter guitarists I got acquainted with last year. Amongst Nick Tann’s (pictured) vast and versatile vocal range, elements of Colin Verncombe, Chris Difford and many others are hinted at, whilst The Real Raj has a hushed majesty that immediately conjures thoughts of John Martyn.

Is this a great week for music?……it’s a yes from me.