Tag Archive: ron trueman border


10933803_1011615478852084_3192550600492000273_nLet’s just title this week “Victim of Success Week” as the gig diary seems to have gone into overdrive and get straight on with the show.

 

Something well wicked this way comes, as the yoof of today might say, tonight at The Victoria with a snarling, noisy, beast of a show from those awfully nice chaps at Songs of Praise. Described as “zombie grunge” Sheffield’s Steel Trees are one big slab of industrial strength noise and scorching, white hot guitars. Support comes in the guise of deliciously schizophrenic post-punkers, Nasty Little Lonely and Ex-Shrine main man Mat Caron’s new outfit I Am In Love.

 

The regular Acoustic Buzz session at The Beehive has a stellar line up, not only the subtle beauty of Jess Vincent’s folk-pop but also the achingly authentic, Americana-folk of Jim Evans. As always your host, Blind River Scare’s Tim Manning, kicks the night off.

 

Two big names are in town on Friday. Firstly at The Oasis The Modfather himself, Paul Weller, will be continuing to further the cause of quintessentially English song writing. The Second hails from much further away, Portland, Oregon to be exact. Having made a name with the distinctly multi-cultural, hard rock, junk-funk outfit, The Dan Reed Network, the eponymous front man will be playing at level 3 for the Fatboys Cancer Charity For Children Fundraiser. A host of other supports are in place, although be aware that limited tickets are only available in advance from the charity itself.

 

Although if you can’t get a ticket for that one, like classic rock and iconic indie covers and want to support a worthy cause then head over to Riffs Bar where Soundbites and Vice Versa will be playing to raise money for Breakthrough Brest Cancer.

 

If you prefer something a bit smoother, then The Tribe headline at The Victoria with their trademark fusion of soulful reggae, dance grooves and infectious hip hop vibes. Support comes from dubstep meets jazz meets hip-hop collective Dubbed Over.

 

The phrase, at the opposite end of the spectrum, doesn’t even begin to describe the wonderfully named Ma Polaine’s Great Decline who play The Beehive. These roots genre time travellers mix the blues of Howlin’ Wolf and genre hopping of Tom Waits to create a sound both familiar and exotic.

 

Also to be mentioned in despatches are The Runaway Boys, a tribute to The Stray Cats, at The Rolleston and fans of covers have the choice of Toxic at The Swiss Chalet or Mojo at The Castle.

 

Before talking of Saturday’s gigs, I should point out that the now well-established Record and CD fair will be taking place at The Central Community Centre from 9.00 am.

 

As for gigs, they are more about the tried and tested rather than the new and innovative but there is still some great music to be had. At Riffs Bar, Syntronix will be reliving all of the great synth pop of the eighties, everything from the big numbers such as Rio and Tainted Love to a few lesser-known numbers from the likes of Talk Talk and The Thompson Twins.

 

Rock is on the menu as Dodging The Bullet bring the noise to The Rolleston; something a bit more subtle can be found at The Victoria as Just Floyd pay tribute to one of the biggest and most uniquely creative bands on the planet.

 

Fans of Reggae, Ska and Rocksteady will want to be at The Beehive as the Shocks of Mighty DJs spin all the best tunes from those genres and Tony M and Friday Feeling play covers at The Castle and The Swiss Chalet respectively. Also in that vein is Jamie R Hawkins who can be found at Byron’s Wine Bar.

 

And even on Sunday there is no let up as Ron Trueman Border mixes up folk, blues jazz and a lot more at The Beehive afternoon session and it is with a tear in the eye that I can report that The Victoria will be the scene of Sheer Music’s last Swindon gig for the foreseeable future. It’s only fair that they should go out with a bang and so have managed to bag a date with Moose Blood (pictured)and Creeper currently touring the UK. So, if quality Emo and melodic punk are your sort of thing then help thank Kieran and the team for all their hard work over the years.

 

Finally dexterous acoustica taking in folk, blues and rock can be found at The Roaring Donkey on Wednesday courtesy of Andy Robbins.

206225_10151457119876051_1566407449_nSo all of the big events of the summer are over. Wimbledon is now no more than a faint whiff of barley water and Glastonbury, which now seems to host every British citizen who owns a guitar, is just a talking point around the water cooler of insurance firms the length and breadth of the Home Counties. Even the World Cup is done and dusted and Brazilians everywhere are already denying it ever took place whilst assiduously avoiding buying German produce.  You have all watched the boxed set of Breaking Bad five times and it is least another month before shops start stocking up with their Christmas gift range, so what do we do now? Start going to local gigs again that’s what.

 

Unlike the acts at Glasto (ironic use of cringeworthy hipster slag) local gigs are good for the environment; the musical produce is locally sourced and puts money directly back into the local community. Plus you don’t risk the danger of having to watch Mumford and Sons!

 

What you can watch tonight, however, are three top acts at Songs of Praise at The Victoria. Headliner Theo Altieri does a neat line in indie-pop that channels a classic song writing tradition from early Beatles, through The Kinks, Paul Weller and is likely to soon be giving the Buggs and Sheerans of this world a run for their money.  Support comes from The Greasy Slicks best described as the soundtrack to a Bourbon soaked bar brawl, mixing slick and raucous blues grooves, authenticity and energy in equal measure. Opening the night are The Automanics a blend of warped swamp riffs, cosmic workouts, psychedelic interludes proggy structures and much more besides.

 

A stalwart of the acoustic music circuit is Ron Trueman Border who delivers instantly accessible songs with lyrical resonance and dexterous musical lines. He is at The Beehive.

 

The talking point for a few weeks now has been the final Tides of Change show at Level 3.  Over the past few years the band has developed into a cornerstone of the alt-rock scene and this show is to act as their swansong and wrap party all in one.  Also helping them to go out in style are the slick and forceful tones of All Ears Avow, elegant post-rock from Liberto Wolf and pop punk from Highly Personal who take the place of the previously billed Natures. Sounds like a top night for rock fans. Meanwhile upstairs at The Rolleston, Humdinger plays rock and pop covers.

 

Rock is also on the menu at The Victoria, this time of the drunken pub R’n’B variety with The Hamsters from Hell. Think Dr Feelgood after four-day bender. Think Kilburn and The High Roads stuck in traffic along Fleming Way. Actually don’t think, just drink, dance, fall over and join the party.

 

A rival party with a nautical theme…piratical even, takes place at The Beehive with the arrival of Calico Jack to these waters.  These festival favourites mix woe and wonderment, twisted tales, off kilter folk music, klezmer vibes, circus tomfoolery and general acoustic rowdiness. Not only great music but guaranteed to have you grinning from buccaneer to ear. (gedit?)

 

Saturday offers a couple of tributes. If you want to hear the music of The Red Hot Chilli Peppers then The Victoria is the place to be and head out to Riffs Bar if The Police are more your sort of thing. Going Underground at The Rolleston offer a range of post punk, ska and mod covers.

 

Winning the award for most air miles earned to get to a gig are The Very Most (pictured)who come all the way from Boise, Idaho to play The Victoria on Tuesday. A rich tapestry of post punk influences, the innocence of Belle and Sebastian and the lush Beach Boys vocal textures, this is a real must see band who probably won’t pass by this way again for a while. On tour with them is Glasgow’s The Yakuri Cable who mix synth-pop with indie guitar to wonderful effect. Opening the show is King in Mirrors who haven’t come very far at all.

I bumped into an old friend at a gig the other day. Oddly enough the resulting conversation didn’t revolve around what each other had been doing in the decade since we had last seen each other, but in the quirky way we have, it turned to the subject of mondegreens, or in layman’s terms, misheard lyrics in songs. Such questions were raised as  – did The Stone Roses really “Wanna Be A Door?” Why was Creedance Clearwater Revival telling us “There’s a Bathroom on the Right?” How did The Stranglers get it so wrong when predicting “Never A Frown, With Gordon Brown” and oddest of all, what did Roberta Flack actually mean when she said “Tonight I Sellotape My Glove to You?” Yes, we had been drinking!

 

Talking of confusing lyrics, not to mention more than a few “oh la la la’s”, “shubba-dubbas” the occasional “ha!” and other strange utterances, Crash and The Coots are playing The Victoria tonight. Theirs is a strange and beguiling world of lateral thinking, experimental pop, but one that you all need to visit at least once. Supporting them are Port Erin a band who have swapped some of the early complexities of their music for balance, space and atmosphere and now ably mix pop leanings with mature musicianship. Three Letter Agency get the night started.

 

Blending folk with rock, accessibility with intelligence and kicking into touch the fey, hippyness often associated with her field, Thea Gilmore is blazing a path towards classic status songwriter, catch her at The Arts Centre tonight. Similar folky undercurrents can be found at The Beehive as Ron Trueman-Border brings his band, Perfect Strangers along for some vivid, punchy lyrics and infectious tunes.

 

Staying at The Beehive for Friday and Pignose will be offering up some Old Town Blues for your delectation. This very narrow genre is a blend of gospel, rhythm and blues, country and rock, songs of the south if you like and if it wasn’t for all the road works in that part of town would have probably made a break for the border a long time ago. Offer them a Mint Julep, make them feel at home.

 

The noisy brigade will find their home out at Riffs Bar for  a gig spearheaded by Severance a band very much in the spirit of the NWOBHM era and making their first visit to the place. And if you thought Stoner Rock had died out in the infamous flannel shirt famine of the mid nineties, then The Ashun might come as a welcome surprise. Optimal Prime is also on the bill.

 

More rock on Saturday this time at The 12 Bar and headed by the metal-grunge hybrid that is Burnthru, with Toadstool filling that space between metal, blues and southern rock: kick arse four, four grooves just like the old days. The Starkers continue their pop-grunge fixation…think Nirvana having a fight with The Libertines.

 

The Rolleston plays host to the one cover band I can handle, Kova Me Badd. What sets them apart from the norm? Their music selection is awful, delivery questionable, professionalism in serious doubt and antics not suitable before the watershed. In short, everything a cover band should be. You’ll laugh, you’ll cry, it will change your life. Well, one out of three isn’t bad.

 

Something a bit special comes to The Victoria on Sunday. Back on the menu is old school hip-hop from Long Beach underground vigilantes, Ugly Duckling; outsiders who like The Beastie Boys and Run DMC before them take humorous swipes at more commercial elements of their genre. And on into Monday, the names keep coming. Uli Jon Roth(pictured) made his name filling the shoes of guitarist for Michael Schenker in The Scorpions but over the years moved into more experimental pastures and today his style encompasses neo-classical, heavy metal, blues and psychedelic, all of which can be seen, again, at The Victoria on Monday. For something a bit more sedate, middle of the road even, Paul Carrack is at The Wyvern Theatre.

 

Staying at The Victoria for Tuesday, those lo-fi, folk-rock, indie-pop, Celtic-bop, pirates, The Shudders make a welcome return and we round off on Wednesday at The Running Horse. Nick Tann is becoming a bit of a regular fixture and his jazz inflected 12 string tunes and soaring vocals are always welcome. He brings with him Marvin B Naylor a man who blends folk, prog, the surreal and wonderful lyrical drives to create something truly unique.