Tag Archive: sam eden


I think I have worked out my problem with cover bands. Whilst watching the incredible Super Squarecloud last week, a Damascene moment occurred. We live in an age where music seems hell-bent on a nostalgia trip. In a previous column I pointed out that the 60’s had psychedelia, the 70’s had disco and punk, the 80’s hip-hop and the 90’s rave, but since then what? If contemporary music is content to plunder the past to a lesser or greater degree, then cover bands are a pure slice of well worn déjà vu. Fine if you want to live in the past, and we all need to visit our youthful memories from time to time but it doesn’t really further the cause of music. What we need is the opposite …err, avant verrais? Jamais vu? I don’t know, I’m still struggling with English! That is why bands such as Super Squarecloud and Crash and The Coots are so important to the local scene, wonderful slices of forward thinking weirdness that push boundaries and create unique yet accessible music along the way. So it’s vive la difference as they say across the channel and here’s to creativity.

And if you ever thought that everything that could be done with rock music has been, then you need to be at The Victoria tonight. Up from that London, The Manic Shine infuse their music with the influences of their diverse cultural heritage and the result is a glorious blend of punch and panache; classic rock riffs, atmospheric dynamics, driving back beats and a bunch of great songs. Support comes from Ataraxis Vibration, the natural successor to the likes of Hendrix, Cream and Free plus Streetfight Silence’s more pop-punk vibe.

In The Beehive’s continuing quest to become a Canadian colony, yet another of its musical emissaries takes up residence there tonight. David Celia is a frequent visitor to the place and his elegant and humorous brand of songmanship is always well received. The Divine Comedy with maple syrup!

Two options for the loud jumpered, knit your own yoghurt brigade…or folk fans, as they prefer to be called. Folk in the Bar at Riffs is a open mic session, for a more formal experience the Urban Folk Quartet will be mixing British traditional themes with global influences at The Arts Centre.

The big noise for Friday is at The Furnace with their Halloween special, which will be powered by the sound of Swindon’s finest indie rock. Infectious, groove driven pop comes courtesy of Nudybronque, with Secret Lives and The Fixed playing the part of perfect support bands.

The 12 Bar also goes for the younger and brasher end of the musical market, but as usual are not big on information. Whilst I can tell you that headliners Days on Juno are a must for anyone who likes hook laden pop-punk in general and Fall Out Boy in particular, all I can tell you about support band The 39 Steps is that I read John Buchan’s classic novel of the same name many times as a kid. Riffs Bar also opts for the pop-punk with Running From Zombies and All Action Hero but again there is no information on the website. (Come on guys, meet me half way!)

Saturday sees a bonfire party at Riffs Bar with yet another Burlesque show to go alongside rock covers from Chiller. Some of you are too young to remember the days before the by-laws were changed to ensure that at least three burlesque shows were held in the parish each week, I some times miss those days, or as we used to call it…last year.

The Arts Centre offers up another inspired booking with the bluesy, folk-pop of Lotte Mullan, imagine the delicacy of Janis Ian mixed with the nouse of Joni Mitchell, gorgeous stuff. At the Rolleston “theatrical” cover band The Atomic Rays will be covering the classics and they come with an endorsement from Radio 1 DJ Edith Bowman, make of that what you will.

Global journeyman, Renny Field, will be impressing The Beehive on Sunday with his trademark uplifting and lyrically engaging songs for the afternoon session and that evening The Rolleston has the Mason-Dixon line colliding with the M4 corridor to shape the inimitable mix of southern blues, R’n’B and gospel that is Pignose.

Pignose’s Pete Cousins can also be found at The Victoria on Tuesday supporting Grandpa Banana. As guitarist with seminal San Francisco Bay Area folk rockers, The Youngbloods, Banana is rightly considered an icon of California bluegrass and old time rock and roll, to catch him playing a free gig is something not to be missed.

The week rounds off on Wednesday with even more Bluegrass this time in the form of Riffs Bar’s weekly jam and at The Running Horse more acoustic goodness courtesy of Sam Eden and the vocally harmonious Ethemia.

In this world of immediate musical gratification, instant single track downloads, radio banality and dumbed down, disposable pop, it’s worth remembering that not all music has to be easy access, mainstream and spoon feedable for mass consumption. In fact music often moves forward because of, rather than in spite of the likes of Schoenberg, The Velvet Underground, Joy Division, Can, Cale or Zappa. And if you want a night that largely challenges the concept of music as an easy ride, that is both provoking and ultimately rewarding, then tonight’s Songs of Praise at The Victoria is the place to be.

Mortdelamer headline with a luscious mix of dark alt-rock and slightly prog-stained flights of fancy and openers IX manage to take slow burning, heavy, instrumentals and turn them into sweeping cinematic sonic architecture. But these bands seem to act as a buffer zone to contain the madness of the middle act, Mr. Hello and His Honesty Club ft. Kid Jamaica. Think Kyuss playing with The Birthday Party, Jesus Lizard jamming Black Sabbath, The Fall in a fist fight with Zappa…just don’t think about it late a night else you probably won’t sleep.

Something a bit saner can be found at The Beehive. Matt Woosey plays blues exploring all the usual themes, hardship, alcohol, women, but does so in a uniquely British fashion. The Red, White and Blues perhaps? Okay, perhaps not.

Back up the hill on Friday and a night of alt-folk, anti-folk, agit-folk…call it what you will at The Victoria.  Gaz Brookfield is the main draw playing songs from his new album “Tell It To The Beer” as well as old favourites and with Marky Thatcher on the bill as well, I’m sure there will be some of the usual end of show shennanighins. But it’s not all about the local lads as Glasgow’s Lonely Tourist throws in blends of rockabilly driven acoustica.

More singer songwriter types at The 12 Bar on Saturday courtesy of Daylight Promotions in the shape of the contemporary acoustic meets 60’s folk revival sound of Ali Finneran and Racket front man Plummie, plus acoustic duo Talking Timber and adding a somewhat eclectic quality to the night, the lush, atmospheric synth driven indie of With Felix.

If you are a fan of all things big, brash and brutal, Riffs Bar has a Heavy Metal all-dayer. A host of serenely named bands make up the bill including, Acts of Brutality, Suicide Watch, Blood of Ash and Fluffy Bunny Slippers. Okay, I made one of those up but it does definitely feature an appearance by the legendary Vynal Matt.

You can also get a good dose of quality rock music with the incendiary blues of Innes Sibun at the Rolleston. And if after that you still have the energy to party, Reboot Club Night at The Furnace is hosting a collection of Indie, New Wave and Electronica into the wee small hours.

Another does of exquisite blues at The Beehive Sunday afternoon, this time from extremely young and extremely talented Anglo-Norwegian six stringer Krissy Matthews.  The evening gives you the option of virtuosic lap guitar playing from Hip Routes Jim Blair at The Rolleston or head down the 12 Bar to be part of powerful alt-rockers, Beyond The Break’s e.p. launch.

The middle of the working week is nicely broken up with two great shows for Wednesday or Swindependance Day if you like. If you fancy something to smooth the week through it’s The Running Horse for you where Sam Eden and Dylan Qioniwasa will be laying down some wonderfully original and chilled music. For a more charged experience catch Young Blood (pictured) at The Victoria and expose yourself to some great, of the moment indie, the soaring, My Bloody Valentine-esque sonic dream sequences of Archimedes plus a band that I have already gushed far to much about recently, Old Colours.

And if you think that my columns have been getting much less controversial of late, I have been saving it all up for this, a final paragraph of home truths and no holds barred opinion…that’s if it gets passed the editors exacting standards.

So, last week there may not have been too many gigs going on, but this week, you can’t move for tripping over some earnest young chap thrashing a guitar, a laid back blues dude grooving the night away or a band of frantic folkies jigging and reeling their hearts out. And what has caused this tsunami of live music that wil play havoc with my carefully scrutinised word count? It’s only the first of the season’s indoor local festivals. Ladies and gentlemen, I give you Riffstock! Running from Friday to Sunday the “Biggest Little Music Festival in the West” at Riffs Bar (the clue is in the name) will be raising money for three very worthy causes.  Over the course of the weekend you can experience music as diverse as the, in your face punk, drum and bass of 2 Sick Monkeys, the long awaited return of pirate fixated alt-folkies, The Shudders, effervescent, fired up pop from Nudybronque, the warped, musical terrorism of Mr Hello and His Honesty Club, The Fixed, Emily and the Dogs ( a real must see), Guitar Stools and Cigarettes, Vynal Matt and so much more. For the full story go to their website or Facebook event page.

And as if that wasn’t enough, there is still plenty to choose from musically back in the less rural venues.  Dance music for the 21st century will be on the menu tonight as the Zetan Spore mothership descends on The Beehive for a night of psy-trance, hard dance grooves and alien beats.

More conventional music can be found at The Rolleston in the form of Sam Eden, a singer-songwriter whose style occasionally borders on the likes of Brian Kennedy and David Gray but who mainly creates unique and delicate musical structures from intricate playing and brilliant vocal deliveries.

At the Victoria, there is a showcase for Bath College’s HNC music students, featuring the insanity of Maribou Stalk, the soul power of Tallis and The Pride, the hi-octane loops and sax of Mossyband, the voodoo tunes of Dr Elephonte and much more besides.

Friday is built around a triumvirate of great gigs…. err, that means three for you non-classical scholars. The Furnace sees a rare hometown outing for the southern groove, biker metal of Eye For An Eye. Expect industrial strength riffs, thunderous beats, growling vocal attacks, hair, beards, blood, sweat and beers. If young bands need a lesson in how to put on a rock show…let this band be your guide.

At The 12 Bar, Out of Towner’s is a night showcasing, as it says, out of area bands headlining with the contradictory Doll Rats – powerful yet ethereal, raw but delicate, raucous and enigmatic. Sounds pretty good to me. Other visiting acts are Peyote who sound like the Jim Jones Revue writing the sound track for a David Lynch road movie and the one I’m looking forward to, The Peasant Kings, historically aware and with one or two old school Celtic rock ghosts looming large over their music.

Talk in Code has undergone a major change in the last year or so. They are no longer the band that your dad might listen to, now their new dance fuelled vibe means they are more the CD that your sharp-dressed, musically savvy, cool older brother refuses to lend you. However you can catch them at their CD launch show at The Victoria. Three Letter Agency and Oli Hill support.

Creatures of the night will find something to raise a rare smile at The Furnace on Saturday as Sarah Jezebel Deva rocks into town. Best known as long-serving backing singer in Cradle of Filth, she has also graced such bands as Mortiis, Therion and The Kovenant. Expect well-executed,  dynamic, dark, sweeping, symphonic metal.

At the opposite end of the musical spectrum, The Warsaw Village Band will treat the Old Town Bowl to music that is both ancient and hauntingly pagan in its folksy form yet as driven and trancey as any modern “dance” music. More roots music, though this time of a delta-blues nature with helpings of country, swamp-blues, jazz, soul and folk, can be found at The Rolleston in the form of Gwyn Ashton.

My tip for Sunday is catch the afternoon session at The Beehive courtesy of the blues grooves, jazz vibes, soulfulness and sheer energy of The Fraser Tilley Trio…(yes they are a four piece but lets not get into all that again) and end up at The Rolleston that evening for the acoustic delights of Ben Fletcher. Well, you don’t have to but it’s just a thought.