Tag Archive: tamsin quin


68605259_1745210538955896_7744477048650858496_nIt’s always fascinating to track an artist’s evolution over a number of years and Tamsin Quin is someone who has followed a wonderful path as a musician, artist and performer. To be honest, it’s always been in her, even in the early days a certain charm and charisma, humour and confidence was obvious and the songs where always there, but like any journey it takes a while to bed in, get comfortable and develop that meaningful stride. Scandal is the sound of Tamsin Quin being…well, just more Tamsin Quin and its glorious.

Her songs have always featured the universal subjects of relationships, of love, loss and longing but have also always done so in a very mature way. Not for her the histrionics and drama that the pop world is filled with nor the cliche and bravado of the rock world, for though her music is best described as roots pop, it is the roots element which she leans toward lyrically. The music is accessible, pop aware and easy on the ear but lyrically she taps into older, more mature ways of discussing those subjects and Scandal is the perfect example of this old folk-wise head on young pop shoulders.

Just the sweet and spacious acoustic guitar to rest her voice on, her vocals are both soothing and   alluring in equal measure, like a whisper in the ear from someone close, reassurance with just the right amount of excitement. And even the language she choses takes her a step above a lot of the competition, mythologising the everyday world into a place filled with outlaws, tyrants and villains, vagabonds and scoundrels. But it is the spaciousness that really seals the deal, those gaps where the notes are allowed to fade away into the distance, the breathing spaces between the words all building atmosphere and anticipation. Perhaps if, as they say,  less is more, then more less should make for much more more…or something, I’m not great with adages.

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16641049_1044192879057669_1824159206035831504_nThe shock news this week is that of the sudden cancellation of all currently scheduled music at The Castle in Old Town due to a change of management at the venue. Audrey has always been a strong supporter of the local music circuit booking popular local cover bands, touring out of towners, well-loved original acts, strange cultish combos, tributes, soloists and everything in between and her departure leaves a big hole in the musical map of the town. So here is a heartfelt thanks for all her efforts over the years and I wish her the best of fortune in whatever the next chapter brings. 

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14449011_673379056164128_4679448363774001003_nThis week we head into the Christmas party zone, and thankfully it isn’t tinselled up to the max but more takes the form of some choice musical gatherings to celebrate and see the year out with.

At The Victoria, Songs of Praise, has their last big show for a while as they head towards a year of much reduced bookings. Before that happens though they have lined up a great night of old school rock, sleazy grooves and boogie beats to put this year’s activities to bed.

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14468193_10153789195910025_4105194703030807599_oIt’s nice to see another week where Swindon continues to embrace original and often out of town bands, if nothing else it gives me nothing to moan about as the length of this introduction attests to.

Thursday

Flight Brigade, George Wilding Band and TriAmi @ The Victoria

If some of the recent big names have hailed from a slightly earlier time, Flight Brigade (pictured) is a band bang on the moment. Festival favourites, beloved by bloggers and journalists and adored by the more adventurous side of the national radio posse and tonight you get to see why. If the idea of a folk heartbeat wrapped in layers of indie cool, rock drive and pop sensibility and then delivered with energy and style doesn’t get your blood pumping then you may as well give up on music and go back to your Stephanie Meyer novels and your collection of vintage manhole covers as it doesn’t get much better than this.

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13116233_1147335191965449_4162624693147308179_oI’m happy to see that the autumn dance card of bigger, out of town acts is continuing with some pace. Tonight, Songs of Praise bring you the first of four gigs they have scheduled around town, beginning at The Victoria for some highly accessible alt-rock fusion.

Flight Brigade sit in the same place as the likes of Imagine Dragons or early Arcade Fire, blending lush indie soundscapes with radio friendly melody, elements of folk sit at its core but get wrapped in swathes of energy, passion and panache. Also on the bill is George Wilding who continues his journey from nostalgia tinged troubadour to forward thinking textured pop icon and TriAmi, a fantastic folktronic trio who have the ability to say more in the atmospheric spaces within their songs than most bands can with actual chords and words.

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Case Hardin take their name from Boston Teran’s noir thriller ‘God Is A Bullet’ (Pan 2000). In the finest tradition of naming groups, it came about by virtue of being little more than a character name in the book songwriter Pete Gow was reading when the call came through that they had secured their first gig; necessity was, as is so often the way, the mother of invention on that day.

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10553415_268441576675504_9081060970114757321_nOkay, he may not be a living legend as such, but he will certainly do until one comes along. Edward Felix Tudor Pole (pictured) may sound like a villain from the first series of Blackadder (the one that never gets the TV re-runs) but has had a long career as an actor and TV presenter. But it was as lead hooligan of the ragged punk gang Tenpole Tudor that he is best known. Tonight at The Victoria you can catch the man himself. Punk was an attitude not a form of music and it is an attitude he still operates with as his swaggering rock and roll, unpredictability, powerful performance and sheer energy will attest to. Support comes from that sweary, lairy punk two-piece, 2 Sick Monkeys.

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10671345_1099486163401427_4704903689419072710_nI often worry that the town ‘s music options are becoming more and more constrained, that the powers that be will soon be passing local by-laws that any public performance must include a cover of Mr Brightside. Then suddenly, and then doing their best bus analogy, three great, and indeed very original, gigs come along at once.

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