Tag Archive: wreckoning


Library - 136Loads to get through this week, so I’ll forego the “pointless and largely unamusing” intro (it’s so nice to get fan mail) and get straight on with this weeks recommendations.

 

Starting with some bad news, Mr Cat and The Jackal at The Victoria tonight has had to be rescheduled due to complications with travel visas; the show will now take place on 15th August. The upside of this situation is that the wonderful Pignose will be playing in the front bar instead. For those few not in the know, Pignose fuse together old school rock and roll, blues, gospel and country into some wonderfully evocative and memorable tunes, always worth catching them live.

 

The Beehive, meanwhile, has its monthly Acoustic Buzz session, this time featuring The Brwmys, Diane Johnstone and Ray Bradfield and your regular host Blind River Scare.

 

Friday is when it all the really big stuff starts happening. For biggest in terms of reputation, head for The Victoria to catch original rude boy and Specials singer Neville Staple (pictured). Support comes in the musically warped form of Flipron, a band for whom the word eclectic still isn’t really adequate. Mixing a range of unusual instruments with hyper-literate lyrics and a stand point that is as alien to modern musical conventions as you can get, make sure you arrive early enough to watch their set.

 

For biggest in the terms of noise, then The Furnace is the place to be for a hardcore-metal explosion of talent. Headliners, Burials, mix brutal deliveries of power and melody with bleak atmospherics and dynamic interludes. Support comes from local melodic-metalcore wunderkinds The Dead Lay Waiting, a band recently immortalised in their own comic book, plus The Cold Harbour and Wreckoning.

 

At Riffs Bar, Welsh trio, Godsticks will be bringing something a little bit different to a region dominated by indie and metal. Working within the broad prog genre and appealing to the fans of Oceansize and Porcupine Tree, they deliver well structured and mature music, filled with generic twists and stylistic turns that often defy easy pigeon-holing.

 

The NewQuay Times, although sounding like a local paper that surfers use to check the weather reports are actually a band who have been likened to The Pretenders, Blondie and more interestingly in my book anyway, Lone Justice…be at The Beehive for that one.

 

Bit of a Pink Floyd overload this weekend as The Rolleston on Friday has that strange hybrid, The Floydian Doors and The Victoria has Just Floyd on Saturday, not sure if that is good planning, bad planning or the start of some sort of Dave Gilmore cult bid for world domination. I know I give tributes a hard time but if it’s your thing then watch for upcoming bookings of The Morrissey Dancers, especially if you the idea of Heaven Knows I’m Miserable Now performed in traditional English folk style complete with bottle tops on sticks and white handkerchiefs. Also look out for The Welsh Scottish Sex Pistols featuring Dai McHoots, who once played a gig to minus one people (no one turned up so their bassist went home in a huff) and who have just released their debut album, Never Mind The Haggis, Boyo, It’s The Welsh Scottish Sex Pistols.

 

On the upside, Damn The Torpedoes at The Rolleston on Saturday do a damn fine version of the undisputed kings of American Rock, Tom Petty and The Heartbreakers. By contrast and possibly having the byline Chaos at The Castle, the slightly controlled skiffle madness of Ode and The Be-bops and the out and out chaos that is The Hamsters from Hell will be raising money for the Prospect Hospice.

 

Sunday gets all rootsy on us, firstly with the sound of Chicago rhythm and blues from Built For Comfort at The Beehive in the afternoon and in the evening the choice of stomping traditional Celtic and American folk from Grubby Jack at The Rolleston, or a trip up the Art Centre for Paul Lamb and Chad Strentz and some award winning soulful blues. And just staying with the Arts Centre, Tuesday sees a visit from occasional Waterboys player, Sharon Shannon for some accordion driven Cajun, reggae and Celtic folk blends.

 

And finally to Wednesday and no space left but to say The Running Horse Sessions brings you singer songwriters Jimmy Moore and DJ Harman.

Library - 91Had Good King Wenceslas looked out of my window, far from seeing snow that was deep and crisp and even, he would have seen un-gritted roads and snow sculptures that either look like something out of a Tim Burton movie or designs that are too unsavoury to be discussed here. And looking at the snow it got me thinking that unlike the cheesy results when Christmas is used as the subject of a song, the topic of snow has generated some wonderful results. Underground classics such as Driven Like The Snow by obtuse grumps The Sisters of Mercy, the hauntingly beautiful Fifteen Feet of Pure White Snow by Nick Cave (although the underlying message is about something far darker of course) and in typical humour Frank Zappa’s, Don’t Eat The Yellow Snow.

 

Well hopefully the snow related chaos that has caused so many gig cancellations over the last week are behind us, especially as one of the bands playing Songs of Praise at The Victoria tonight are coming all the way up from Cardiff. Spyglass mix up heavy alt-rock grooves with a melodic grunge density and will be playing the support slot to SkyBurnsRed, a band who incorporate classical grandeur, raw, dark and emotive rock, sensuous violin and an aggressive delivery. Also taking their chosen genre to new heights is opener Adepto Futui, a band that captures the feeling, vibe and voice of traditional blues but who manage to twist it into interesting, Byzantine heavy and original shapes.

 

Meanwhile down at The Beehive an interesting local proposition is taking place. Having grown out of the Lazy Sunday Afternoon Sessions at the Art Centre, Fieldfare is the combined acoustic guitar and vocal arrangements of local stalwarts, Steve Cox, Paul Griffiths and Tim Sawyer reworking each other’s songs.

 

There are a few big shows at The Furnace this week; the first comes in the form of Cheltenham’s Young Kato on Friday. Pop may be a dirty word these days but along with LAB label mate Portia Conn, they will be proving that there is a lot more to the genre than dance routines and auto-tuners. Pop beats, warm atmospherics and infectious melodies collide with confident guitar-work to re-establish the credibility of the genre. Also on the bill Old Colours continue to ply their trade of fragile, cinematic, otherworldly indie creations and Salute the Magpie open the show. If something more raw, lewd and beardy is to your taste then check out The Hamsters From Hell in The Rolleston next door.

 

Back at The Beehive and another Cheltenham band, Stressecho indulge the venue with a wonderful angst-folk set, beautiful, understated music to accompany poignant and open story telling.

 

More big noises at The Furnace on Saturday, this time taking a much more aggressive format with hard edged pop-punk from south coast trio, Hold The Fight and local, upbeat, post-hardcore champions When Words Fail. Back upstairs in The Rolleston there is a bit of a paradox. Metal Gods claim to “try and bring something fresh to the scene” which is obviously commendable but then state that they play classic rock covers from the 80’s/90’s. Not sure what to make of that, still that’s not to say it won’t be a good night out for those still proudly holding on to their patched denim jackets and Let It Rain tour shirts.

 

 

Riffs Bar play the acoustic card and have a collection of acts both local and otherwise  playing in a very stripped down fashion, including the 50’s rock and roll vibe of Josie and The Outlaw, the wonderful harmonies and intricate guitar blends of Ethemia and the joyous and upbeat creations of The Real Raj.

 

Missin’ Rosie seem determined to invoke the wrath of the folk police (they do exist, I checked with the Home Office) by taking folk music and rocking it up to a point where those people who denounced Dylan for going electric in ’66 would be jumping off of tall buildings. Catch their mix of standards and originals at The Sun Inn on Sunday.

 

And so we end in our usual mid week oasis of music and two options. If you haven’t had enough of the loud and shouty, then Teenage Kicks at The Furnace has a Headbanger Special on Wednesday with music and neck ache courtesy of Twisted State of Mind, Dissolute, Wreckoning and Stands To Reason.  A more mellow listening experience can be had at The Running Horse with the wonderful Rosellys whose British-American ranges from acoustic country to stomping bluegrass, from gentle balladry to barn dance hoedowns. Not what you expect from the M4 corridor on a chilly midweek evening.

 

And now the News. In light of recent events I now find my position as writer of Sounds Around Town no longer tenable and have therefore decided that the only proper course of action is to step aside and spend more time with my record collection and re-runs of Time Team. As a replacement I have appointed myself to the position of Acting Dave Franklin as an interim solution until the matter is resolved. So as to avoid any lengthy negotiations I have also asked the paper to consider me for a £450,000 golden handshake but have, as of yet, received no reply. Apparently questions have been raised in the House about the situation, not my house, you understand, someone else’s house, but the windows were shut and I couldn’t hear what they were saying.

 

So on with the show. It’s Songs of Praise at The Victoria tonight again the tables and subdued lighting is out to welcome the dulcet tones of Emily and The Dogs. Mixing jazz, folk and rock and coming off somewhere between Polly Harvey and Ani Di Franco, this trio of highly experienced musicians are something a bit special. A slight change to the plans sees historically aware, baroque-pop stalwarts Mr Love and Justice take the middle spot with Nick Felix opening up the evening. Meanwhile jazz is on the menu at The Beehive with the guitar and vocal combo Ruba Tempo.

 

Friday night is all about the Children in Need show out at Riffs Bar. Burnthru bring their rock hybrid – part metal, part sleaze, part grunge to the party and joining them are The Dark Sinatra’s, a band whose ability to mix groove driven bass lines, rocked out jazz junkie drum fills and Byzantine heavy guitar work into something dark, experimental yet accessible and danceable is unprecedented.  Scud Penguin and 5 Lives Left are also helping this most worthy cause.

 

Over at The Furnace it’s all about old school rock. Out of the flatlands of the windswept east, otherwise known as Lincolnshire, come Nightvision, blistering classic rock, razor wire riffs and thunderous rhythms will be the order of the day. Dead By Friday? and Wreckoning provide more of the same, but if you like your rock a bit more Sunset Strip, a bit more sleaze-boogie and street-smart, then make sure you catch Rough Cut.

 

In a week with an already heavy rock bias, then The Victoria will provide a roots music oasis on Saturday night. The funky grooves and lap guitar blues of Hip Route are the musical destination of the evening but first you will have to negotiate a wonderful journey through soulful acoustic jazz vibes of The Andy Grant Trio and the smorgasbord of southern sounds that tumble from Pignose (pictured).

 

The Royal Oak plays host to The Erin Bardwell Collective, old school ska, reggae and rocksteady all go into the mix and whilst you are there make sure you pick up a copy of their cracking new album, Bringing The Hope.

 

Back into the maelstrom of the heavy sounds that are dominating this week and a perfect pairing washes up at The Furnace. Both Godsized and Eye For An Eye revel in thunderous riffs and colossal beats without losing their ear for melody. The result is a biker metal mix of the best of old school British such as Sabbath and the southern swagger and groove of ZZ Top turned up to eleven. From Ruin play the role of the perfect opening act.

 

The 12 Bar also get in on the act as Newquay hardcore outfit, Envy The Fallen play a tribute set to Australian metalcore band, Parkway Drive. More metal is also forthcoming from Make No Mistake and the modest Dissolute who’s website states that they are “way ahead of their time in terms of talent.”

 

Sunday afternoon is a bit more chilled out. When they cried Go West! one native of Tulsa, Oklahoma came east, and you can hear the anglicised, alt-country and Costello-esque delivery of Bob Collum at The Beehive for the  afternoon session. Alternately you can head for the Arts Centre and another outing for the west-coast jangle meets West Country lore of Mr Love and Justice. They are joined by Albion, a folk duo in the Greenwich Village coffee shop style.

 

Wednesday evening has it’s usual musical barrier against mid week boredom. Missin’ Rosie deliver rocked out Celtic folk at The Running Horse, a wonderfully charismatic and joyously upbeat support comes courtesy of The Real Raj. There is a Bluegrass jam over at Riffs Bar or you can catch the new line up of The Blue Trees at The Victoria.

This week might seem like a lull in the tsunami of musical delights that has engulfed the town of late, but believe me it is just a chance to get your breath back (and save up some more drinking money) before the summer really kicks in with a vengeance. But that’s not to say that amongst this week’s small but perfectly formed list of recommendations there aren’t a few real gems.

Such as at The Beehive tonight were the combined efforts of John Lewis and Jah-man Aggrey, better known as Two Man Ting, weave a magic tapestry of acoustic afro-pop and reggae rhythms which often includes a cover of Willi Williams classic Armagideon Time (punk fans with long memories or their parents record collections will recall this being the B-side to The Clash’s London Calling.)

More roots music farther up the hill with Roots Night at The Victoria with Jim from Hip Route heading the bill, which also contains the acoustic, harmony-fuelled, surf vibe and folk twist of Bournemouth trio Willowen.

The rock option to ease you into the weekend comes at STFC’s The Legends Lounge with an appearance from Limehouse Lizzy. I normally don’t big up the tribute acts but as this is one of the finest re-visits to the classic days of one of my all-time favourite bands – Thin Lizzy, it had to be done.

On Friday in support of their recent album release, The Blood Choir will be playing in Rise Records. Part Portishead atmospherics, part The National’s slow burn grooves and many parts literary references and poetic explorations, this is a great band. And if you like that then you might want to head up to The Victoria that evening for some more truly original bands. I managed to see the headline, Will and The People (pictured), when they were just getting going and they were great then, all reggae vibes youthful exuberance and brilliant moments of vocal harmonics that are shot through with the spirit of Teenage Fanclub or even The Beach Boys. Imagine how good they will be three years on from that.

Support is from Old Colours, cinematic, fragile, windswept and brilliant. In fact, find them online now, play the song Centre Line and try telling me it’s not only the most wonderfully fractured and beautifully layered soundscape you have heard in a long time…unless you actually have no soul.

Having dabbled with everything from space–rock to old-fashioned bogie blues, not to mentioned being touched by the hand of Hawkwind; it’s difficult to know what The Michael Burro Band will have on the menu. The only way to find out is to head along to The Beehive.

Saturday sees something for the young and the …err, not so young down on the corner of commercial road. Downstairs at The Furnace, Teenage Kicks will be offering up the best of the younger element. Rock and metal played out in the form of Wreckoning, Without Consequence, Brink of Reason and making their Swindon debut, The Faint and The Fallen. Meanwhile upstairs in The Rolleston it’s quiffs set to stun and time to dust off the brothel-creepers as psychobilly legends, The Corsairs hit town.

Something a bit more cultured takes place at the M.E.C.A. in the form of a two-course meal and entertainment by The Three Degrees, a group as big as they ever were despite having not boasted an original member since 1976.

One man who has really explored the roots of blues music is Ramon Goose. Having grown up on pre-war Delta Blues in 2010 he turned his attention to it’s West African origins spending time playing with musicians in Dakar and Senegal. The results of that trip and the album that captured its essence can be heard in The Beehive Sunday afternoon.

That evening back at The Rolleston, punk-popsters Disclosure will be mixing up the covers and original tunes in their own brilliant fashion and you never know if you talk to them nicely you might even bag a job as their new bassist.

Finally, Tuesday night Jazz at Baker Street will feature The Kevin Figes Quartet and guitar improviser extraordinaire, Mike Outram.

Even if the weather isn’t keeping to it’s part of the seasonal bargain, the Gods of Excellent Music are certainly concerting all their efforts upon our part of the world and the imminent arrival of this years Old Town Festival means another attempt to warp the time-space continuum to try and fit all the information into this weeks column.

Yes, Old Town Festival is upon us with a packed program of entertainment. On Saturday there will be music all day, first at the bandstand with Little Dylans, Dominic French, Talk in Code and Messer’s Gilmore ‘n’ Jaz, being just the tip of the terpsichorean iceberg. In the Bowl, meanwhile, various vocal groups, dance and performing arts schools under the guidance of the Commonweal Performing Arts Academy will be parading their artistic wares. This is followed by an evening of music with such diversity as False Gods to The Frazer Tilley Trio and from Nudy Bronque to The Useless Eaters.

As is only fitting, Sunday follows more sedate lines with a wonderful mix of world dance, classical, orchestral, brass, jazz and choral music. To be honest you could just spend your every waking hour taking in the sights and sounds of the festival, but there are still a host of other options this week.

Back into chronological order and tonight is the regular Bands and Burlesque show at The Victoria. Alongside the glamour and glitz spearheaded by Susie Sequin (and lets face it, with that on your birth certificate it is inevitable you end up on the stage) are the funky grooves and the effortlessly cool lap guitar of Hip Route. A short walk down the hill and you can experience the lush harmonies and smooth folky-jazz vibes of Anglo-Swedish trio, We Ghosts. They play The Beehive.

So, The Ocelot Magazine. You know, the one with all those jokes about Football and Politics that no-one really gets and that rather wonderful music column…ahem!  Anyway, if you have been affected at all by the contents of the magazine they are prepared to make it up to you in the form of a party at The Victoria to celebrate their 6th birthday on Friday. Music comes in the form of the old school, rocksteady and ska beats of The Erin Bardwell Collective, the blistering and switched-on modish pop-punk with all the trimmings of Black Hats, another day out for Hip Route and the name on everybody’s lips, the warped Beck meets Brecht creations of Crash and The ‘Coots. You will notice that recently they have shortened their name to save on space (not to mention law suits) and their bassist has shortened his hair to save on product.

Zen Elephant at The Beehive will be mixing up the gypsy-jazz jive with a roots folk vibe to show just why they are held in such high regard on the underground folk circuit.

The Furnace will be proving that the only way is Essex, not by inviting some orange bimbo or bronzed buffoon to cash in on their fifteen minutes of fame but by inviting Rolleston regular booking Dave McPherson to bring his whole band into town. Melodic alt-metallers, InMe, have just finished supporting The Rasmus (remember them?) across Europe to promote their fifth album, The Pride and you can catch Brentwood’s finest at The Furnace with support from local icons Mortdelamer and the wonderful emo-rave hybrid that is Natural Tendancy.

Competition for the rock audience comes from Riffs Bar with a night of the hard and heavy led by ascending stars of the post hardcore genre, When Words Fail. Burthru, 5 Lives Left and Fist Full of Foozy add to the weight of the night.

Saturday brings another tsunami of metal this time crashing through the doors of the 12 Bar and depositing such bands as Austria’s Give ‘Em Blood, What the Night Brings, Moments Before Oblivion and Wreckoning. I think the band names are almost prophesising what sort of night it is going to be. Not for the faint hearted.

The Sunday afternoon session at The Beehive sees the welcome return of The Shudders. Pirate fixated buffoons or deft weavers of folk, lo-fi pop, country rock and various jiggery-punkery? Well, both actually but it’s still good to have you back chaps.

Stay out for more great music at The Rolleston that evening  from The Blue Trees, purveyors of stripped back Americana flavoured rock and the flawless, soulful sounds of The Emsworth Duo.

Final shout of the week (before the editor shouts at me for taking up too much space…again!) goes to The Running Horse Sessions on Wednesday, this time showcasing a brace of acoustic duo’s, Ethemia and The Black Feathers.